Arriving at a moment where attention spans are shot and anxieties are going into overdrive, Deleter, Holy Fuck’s fifth studio LP, is a defiantly full-bodied affair. Polyrhythmic and pleasure-focused, Deleter sees Brian Borcherdt, Graham Walsh, Matt Schulz, and Matt “Punchy” McQuaid utilises their signature sound - seamlessly fusing the gauzy drive of krautrock and deep house’s dreamy ineffability, expertly blending purring motorik percussion with the sort of fuggy synthetic fizz and tang they are renowned for. From the thrusting minimalism of opener Luxe through to the triumphant chug of closing track Ruby, via club-ready rollocker Free Gloss and the cosmic clatter of San Sebastian, Deleter is a record that joins the Holy Fuck dots within their widescreen, technicolour, crescendo-heavy sound.
Highly anticipated second album, one and a half years after their critically acclaimed debut LP. Featuring members of the now-defunct band The Drones. Recommend If You Like: King Gizzard and the Lizard Wizard, Nick Cave, The Slits, Protomartyr, The Drones, Gang of Four, IDLES.
Delivering a political album is always risky, with the possibility that it will get locked in its historical era usually a direct consequence. On their 18th album, prog rockers Marillion don't seem to care, and they have nothing to lose and no one to account to but themselves. FEAR is an acronym for "Fuck Everybody and Run." Two of its three lengthy, multi-part suites ("El Dorado" and "The New Kings") are overtly political statements that look at England and the calamitous state of the world not only observationally but experientially. Topical songs have been part of the band's catalog as far back as 1984's "Fugazi," and have shown up as recently as the multi-part "Gaza," from 2012's Sounds That Can't Be Made (the latter was perhaps an impetus for this record)…
Tim Kinsella and Jenny Pulse have consummated their love on disc. The result is Good Fuck, an erotic exploration of experimental literary techniques and adventurous electronic beats.