Fuck Machjne

Robert Glasper is a jazz pianist with a knack for mellow, harmonically complex compositions that also reveal a subtle hip-hop influence. Since debuting as a leader during the mid-2000s, the Houston native has been crucial to the enduring relevance of Blue Note Records, blurring genre distinctions and regularly topping Billboard's Jazz Albums chart with highly collaborative recordings such as the Grammy-winning Black Radio (2011) and Black Radio 2 (2013), as well as ArtScience (2016), all credited to the Robert Glasper Experiment. In addition to guiding projects such as the soundtrack for Miles Ahead (another Grammy winner) and R+R=Now's Collagically Speaking, Glasper has contributed to dozens of other albums, most notably Kendrick Lamar's To Pimp a Butterfly. The mixtape Fuck Yo Feelings (2019) best exemplifies Glasper's obstinate resistance to expectations and devotion to spontaneous interplay.

Death metal overlords DYING FETUS will release their eighth studio album, "Wrong One To Fuck With", on June 23 via Relapse. On their first new release in over five years, the seasoned veterans manage to further stretch their creative and technical boundaries across ten complex tracks of pulverizing death metal, filled with more dynamic intricacies, brutal breakdowns and varied vocal patterns than ever before. Now over twenty-five years into their distinguished career, DYING FETUS cement their legacy with "Wrong One To Fuck With" and uphold their position as one of the most dominant forces in death metal today.

Arriving at a moment where attention spans are shot and anxieties are going into overdrive, Deleter, Holy Fuck’s fifth studio LP, is a defiantly full-bodied affair. Polyrhythmic and pleasure-focused, Deleter sees Brian Borcherdt, Graham Walsh, Matt Schulz, and Matt “Punchy” McQuaid utilises their signature sound - seamlessly fusing the gauzy drive of krautrock and deep house’s dreamy ineffability, expertly blending purring motorik percussion with the sort of fuggy synthetic fizz and tang they are renowned for. From the thrusting minimalism of opener Luxe through to the triumphant chug of closing track Ruby, via club-ready rollocker Free Gloss and the cosmic clatter of San Sebastian, Deleter is a record that joins the Holy Fuck dots within their widescreen, technicolour, crescendo-heavy sound.