Fuga Nell'ignoto

Sandro Fuga was born in 1906 in Mogliano Veneto in the province of Treviso, but was Torinese by adoption. He studied piano under the guidance of Luigi Gallino; studied organ with Ulisse Matthey; and studied composition with Luigi Perrachio, Franco Alfano, and Giorgio Federico Ghedini. A cultured, elegant, and lovable artistic figure from a subalpine aristocratic background, Fuga was a refined and sensitive pianist, as well as a teacher of the highest caliber. He was a musician who made his own aesthetic belief and remained unscathed within the barrenness of the sterile shadows of a certain avantgarde, destined to grow old within l’espace d’un matin. Umberto Aleandri and Filippo Farinelli here are introducing us to the work including the three sonatas for cello and piano (two of which are world premiere recordings), clear emblem of the compositional ability of the author, teeming with pleasant and various writing solutions always elaborated with consummate skill and filtered by a great knowledge of the past tradition.

Arto Koskinen is a Finnish composer, pianist and harpsichordist who has devoted his musical life to establishing a dialogue between the Asian, European and Afro-American traditions. In the 1970s, he developed a passion for jazz, then went on to study Indian vocal music at a music and dance school in New Delhi. He also immersed himself in the study of polyphonic techniques from the Baroque era and sought to make them compatible with the melodic principles of oriental music. The result is this ‘Indian fugue’, composed between 1987 and 2000, whose main sources are North Indian classical music, traditional western polyphony and Afro-American improvisations. His compatriot Joonas Ahonen, a polymorphous pianist who has already recorded Le Monde selon George Antheil with Patricia Kopatchinskaja (ALPHA797), is a passionate advocate of Koskinen’s music. This monograph at last spotlights the music of a composer with a highly original voice.