Full Artwork Prestige Rvg Remasters Series Jazz

Eric Dolphy Quintet - Outward Bound (1960) {2006 Prestige RVG Remasters Series}

Eric Dolphy Quintet - Outward Bound (1960) {2006 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 444 Mb | MP3 @320 -> 146 Mb
Full Artwork @ 600 dpi (png) -> 172 Mb | 5% repair rar
© 1960, 2006 Concord / Prestige / New Jazz | 0888072300835 | Prestige RVG Remasters Series | 24-bit remaster | NJ 8236
Jazz / Hard Bop / Post Bop / Avant-Garde Jazz

I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger. — Rudy Van Gelder
Etta Jones - Don't Go To Strangers (1960) {2006 Prestige RVG Remasters Series PRCD-30007-2}

Etta Jones - Don't Go To Strangers (1960) {2006 Prestige RVG Remasters Series PRCD-30007-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 228 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar
© 1960, 2006 Concord / Prestige | PRCD-30007-2 | 24-bit remaster
Jazz / Vocal Jazz / Standards

Don't Go to Strangers was Etta Jones' first album for the independent jazz label Prestige when it was released in 1960 (having been recorded in a single session on June 21 of that year), and although Jones had been releasing records since 1944, including a dozen sides for RCA in 1946 and an album for King Records in 1957, she was treated as an overnight sensation when the title tune from the album went gold, hitting the Top 40 on the pop charts and reaching number five on the R&B charts.
Boogaloo Joe Jones - Right On Brother (1970) {2008 Prestige RVG Remasters Series}

Boogaloo Joe Jones - Right On Brother (1970) {2008 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 273 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 300 dpi (png) -> 65 Mb | 5% repair rar
© 1970, 2008 Concord / Prestige | 0888072306592 | Prestige RVG Remasters Series | 24-bit remaster | PR 7766
Jazz / Soul Jazz / Hard Bop / Guitar

Guitarist Ivan Joseph Jones, better known as Boogaloo Joe Jones, was a soul-jazz artist whose brand of cool, funky music can be heard on Prestige releases from the late 1960s and early `70s. The newly reissued RIGHT ON BROTHER (1970) will give contemporary listeners a healthy dose of Jones's groovy brew. And fans of Grant Green, Kenny Burrell, and Wes Montgomery will know what to expect from Jones's blend of hard bop and R&B. Support from saxophonist Rusty Bryant and drummer Bernard Purdie keeps the groove solid, while Jones demonstrates his feel-good bluesy skills on the fretboard.
Sonny Criss - This Is Criss! (1966) {2008 Prestige RVG Remasters Series}

Sonny Criss - This Is Criss! (1966) {2008 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 223 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1966, 2008 Concord / Prestige | PRCD-30654 | Prestige RVG Remasters Series | 24-bit remaster
Jazz / Hard Bop / Saxophone

Along with tenor saxophonist Harold Land, altoist Sonny Criss qualifies as one of the most overlooked giants of West Coast jazz. His sound – like most alto players of the bebop and hard bop days – was heavily influenced by Charlie Parker, but Criss still managed to forge an original style featuring a very original melodic bent with loads of bluesy underpinnings. The goods can be optimally previewed on this great Prestige date from 1966. Backed by a trio consisting of pianist Walter Davis, bassist Paul Chambers, and drummer Alan Dawson, Criss makes fine work of such rare-bird covers as "Sunrise, Sunset" and "When Sunny Gets Blue." There are also some fine originals here, including Criss' own "Steve's Blues" and Davis' classic "Greasy." A perfect start to your Criss collection.
John Coltrane - Dakar (1957) {2008 Prestige RVG Remasters Series}

John Coltrane - Dakar (1957) {2008 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 259 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 1957, 2008 Concord / Prestige | PRCD-30650 | Prestige RVG Remasters Series | 24-bit remaster
Jazz / Bop / Hard Bop / Saxophone

In the spring of 1957, John Coltrane had gone through two years of artistic growth so concentrated it was astonishing even in the jazz world, where compressed musical development is far from unknown. As the other horn in the Miles Davis Quintet, Coltrane had moved from virtual obscurity to acclaim as the tenor saxophone innovator of the decade. Although major stylistic departures were to come, Coltrane was at a peak of the probing lyricism and strength of his middle period. With the interestingly contrasted baritone saxophonists Cecil Payne and Pepper Adams, and a rhythm section of great smoothness and swing, Dakar is a gem in the Coltrane discography.
Mose Allison - Mose Allison Sings (1959) {2006 Prestige RVG Remasters Series}

Mose Allison - Mose Allison Sings (1959) {2006 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 282 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 300 dpi (png) -> 57 Mb | 5% repair rar | 24-bit remaster
© 1959, 2006 Prestige / Concord | 888072300118 | Prestige RVG Remaster Series | PRLP 7279
Jazz / Hard Bop / Jazz Blues / Piano / Vocal Jazz

“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” Rudy Van Gelder
Andy And The Bey Sisters - 'Round Midnight (1965) {2007 Prestige RVG Remasters Series}

Andy And The Bey Sisters - 'Round Midnight (1965) {2007 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 180 Mb | MP3 @320 -> 80 Mb
Full Artwork @ 300 dpi (png) -> 69 Mb | 5% repair rar
© 1965, 2007 Concord / Prestige | 0888072301658 | Prestige RVG Remasters Series | 24-bit remaster | PRLP 7411
Jazz / Hard Bop / Soul Jazz / Vocal Jazz

Andy Bey remains what he was back when this album first took shape—the most recognized, and perhaps the most recognizable, member of the Bey family. A fearsomely gifted singer, he boasts spectacular range all but disguised by the warmth and immediacy of his vocal instrument…Because of his prominence in the trio, Andy and the Bey Sisters often falls into the category of origin bands—the trio that launched Andy Bey’s career…
Miles Davis - Workin' With The Miles Davis Quintet (1956) {2006 Prestige RVG Remasters Series}

Miles Davis - Workin' With The Miles Davis Quintet (1956) {2006 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 270 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 300 dpi (png) -> 37 Mb | 5% repair rar
© 1956, 2006 Concord / Prestige | 0888072300804 | Prestige RVG Remasters Series | 24-bit remaster
Jazz / Bop / Hard Bop / Trumpet

“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” —Rudy Van Gelder
Lockjaw Davis, Tate, Hawkins, Cobb - Very Saxy (1959) {2008 Prestige RVG Remasters Series}

Lockjaw Davis, Tate, Hawkins, Cobb - Very Saxy (1959) {2008 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 293 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 1959, 2008 Concord / Prestige | PRCD-30649 | 24-bit remaster
Jazz / Bop / Hard Bop / Soul Jazz

Tenor saxophonist Eddie "Lockjaw" Davis and his quartet (which includes organist Shirley Scott, bassist George Duvivier and drummer Arthur Edgehill) welcome three immortal tenors (Coleman Hawkins, Arnett Cobb and Buddy Tate) to what became a historic and hard-swinging jam session. On three blues, an original based on the chord changes of "Sweet Georgia Brown" and "Lester Leaps In," the four tenors battle it out and the results are quite exciting. The spirited music on this memorable LP will hopefully be reissued on CD eventually, for the performances live up to their great potential.
Richard "Groove" Holmes - Soul Message (1965) {2006 Prestige RVG Remasters Series}

Richard "Groove" Holmes - Soul Message (1965) {2006 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 200 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 300 dpi (jpg) -> 36 Mb | 5% repair rar
© 1965, 2006 Concord / Prestige | 00888072300149 | 24-bit remaster
Jazz / Soul Jazz / Organ Hammond B-3

“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” — Rudy Van Gelder.