Gère Toi Criss

Celebrate the holidays with A Very Darren Crissmas! Darren Criss is a multitalented musician, songwriter, Broadway star, and Emmy/Golden Globe-winning actor famous for his award-winning roles on VERSACE: AMERICAN CRIME STORY, GLEE, and HOLLYWOOD. His holiday record with Decca Records will be his first full-length album. It showcases creative reimagining of classic tunes and rarely covered hidden gems. Featuring guest artists Lainey Wilson, Adam Lambert, and Evan Rachel Wood.

At the peak of their popularity in 1978, Kiss decided to maximize their sales potential and exploit their loyal audience by having each member release a solo record on the same day. Instead of sending sales through the roof, it had the unexpected effect of stopping their momentum cold…

Imagine, you’re 15 years old living in Memphis, suddenly you move to L.A. and within 4 years you are playing alto sax in the Howard McGhee band with no less a jazz legend than Charlie Parker! Of course, Sonny was heavily influenced by “Bird” but that did not stop him from developing his own bluesy style of playing. It also did not stop him from drifting around the country playing in various R’n’B and jazz bands led by the likes of Johnny Otis, Stan Kenton and Billy Eckstine. Finally signed to R’n’B label Imperial in 1956, Sonny’s first album (and our first selection) Jazz U.S.A was considered “ a true underground classic of the hard bop era”. Musicians joining Sonny on our four selections include, Kenny Drew, Barney Kessel, Sonny Clark, Leroy Vinnegar and Wynton Kelly. Not a bad line up!

This double disc reissue on Blue Note contains the three releases that alto saxophonist Sonny Criss did for Imperial: Jazz U.S.A., Go Man!, and Plays Cole Porter. These sessions were all recorded in 1956 at a time when Criss had honed his amazing bebop alto precision. These 34 performances contain only five of his originals and are surrounded by mainly standards. The bands consisted of solid lineups with Sonny Clark or Kenny Drew on piano; Barney Kessel on guitar; Leroy Vinnegar, Buddy Clark or Bill Woodson on bass; Larry Bunker on vibes; and Larance Marable or Chuck Thompson taking care of drumming duties. While Criss had a career that erratically spanned the '70s, these Imperial sessions (reissued in glorious mono) contained highly regarded performances of passionate blues, moving ballads, and energetic up-tempo pieces.

Sonny Criss was relatively inactive as a leader in the first half of the 1960s, though he did produce outstanding music during two trips to Paris. The latter visit in 1963 resulted in these studio sessions, originally released by Brunswick and reissued in complete form (with three unreleased tracks) by Polydor, before reverting to the initial version on this CD reissue. Powered by some of France's finest musicians, including guitarist Rene Thomas, bassist Pierre Michelot, drummer Philippe Combelle and pianist Georges Arvanitas, the hard bop alto saxophonist mixes it up with a set which contains classic jazz compositions, standards and an original. Arvanitas switches to organ for a peppy take of "Don't Get Around Much Anymore" and Criss' two part blues "Early and Later"…

Sonny Criss - This Is Criss! (1966) {2008 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 223 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1966, 2008 Concord / Prestige | PRCD-30654 | Prestige RVG Remasters Series | 24-bit remaster
Jazz / Hard Bop / Saxophone

Along with tenor saxophonist Harold Land, altoist Sonny Criss qualifies as one of the most overlooked giants of West Coast jazz. His sound – like most alto players of the bebop and hard bop days – was heavily influenced by Charlie Parker, but Criss still managed to forge an original style featuring a very original melodic bent with loads of bluesy underpinnings. The goods can be optimally previewed on this great Prestige date from 1966. Backed by a trio consisting of pianist Walter Davis, bassist Paul Chambers, and drummer Alan Dawson, Criss makes fine work of such rare-bird covers as "Sunrise, Sunset" and "When Sunny Gets Blue." There are also some fine originals here, including Criss' own "Steve's Blues" and Davis' classic "Greasy." A perfect start to your Criss collection.