Many so-called blues releases are actually filled with bluesy R&B, soul, pop, and rock. There is no such stylistic confusion in Sadie Mae from Nick Moss & the Flip Tops. The music is no-nonsense blues, played with spirit, drive, and swing. Most of the selections are concise, getting their message across and not overstaying their welcome. By varying tempos and moods plus including occasional instrumentals, the quintet performs enjoyable and memorable music, with an emphasis on cooking straight-ahead grooves. Lead voices are Nick Moss on guitar and vocals, harmonica player Gerry Hunot, and pianist Bob Welsh (doubling on organ), but the tight yet loose rhythm section is not to be overlooked either. This is a fun set, well worthy of several listens.
Although they were never major influences, both Flip Phillips and Charlie Ventura had their moments of fame and were entertaining and hard-swinging tenor saxophonists. This 1998 limited-edition six-CD box set from Mosaic is typically wondrous with quite a few little-heard gems included among the 116 selections (five previously unreleased, three of which are alternate takes). The first two CDs feature Charlie Ventura during 1951-1954, right after his "Bop for the People" band broke up.
This album of originals and covers shows Paul at the top of his game, whether that game be blues or baseball. Paul's amazing slide guitar work and nuanced electric guitar styling will enchant and excite the casual listener and the blues aficionado alike. The sideman chores are masterfully handled by "west side" Andy Linderman (an equal contributor to the heart and soul of this recording) and Brian Howard on drums. The bass player is excellent too.
Peter Garrett has spent a lifetime exploring the beaten and unbeaten tracks that run through this country and its people. In March 2024 he will release a new solo album called The True North. It’s a deeply personal reflection on his singular journey, drawing inspiration and sustenance from the living colours of Australia’s natural environment and the sights and sounds of modern Oz.
Buddy Rich, the most remarkable drummer to ever play jazz, can easily have his career divided into three. During 1937-1945 he was a notable sideman with big bands including those of Bunny Berigan, Artie Shaw, and Tommy Dorsey. In 1966 he formed his own successful orchestra that capitulated him to his greatest fame. During the 20 years in between, Rich led short-lived bebop big bands, a variety of combos, toured with Jazz at the Philharmonic, recorded with all-star groups, and had stints with the orchestras of Dorsey and Harry James. This seven-CD set draws its material from Rich's second period and it can also be divided into two. The first half has Rich recording for producer Norman Granz in a variety of combos.