Gary Boyle formed the jazz-rock band, Isotope, in 1973, recruiting three other stalwarts from the jazz field; Nigel Morris, Brian Miller & Jeff Clyne (ex Nucleus). Gary and Nigel had previously been part of Stomu Yamash'ta's band, East Wind. Prior to that, Gary had worked with Dusty Springfield, Brian Auger & Julie Driscoll. Isotope released three albums during the mid 70s, which gained wide acclaim and favourable comparisons with John McLaughlin's Mahavishnu Orchestra. This compilation is comprised of an Isotope BBC concert and an Old Grey Whistle Test show, plus a Gary Boyle session recorded for John Peel. None of these recordings have ever been released before. The accompanying 8 page booklet includes a brief note from Gary Boyle plus extensive liner notes, including an interview with Gary, and several rare band photographs.
The Outlaws above the rocks of the Lorelei in Germany! In the summer of 1981, for the first time in Germany, what a statement about Southern Rock! 60 minutes full of unbridled joy of playing, bursting with power and endurance. ''The Eagle Has Landed'', the crew was Freddie Salem (guit./voc.), Hughie Thomasson (guit./voc.), Billy Jones (guit./voc.), David Dix (drums) and Rick Cua (bass) on the Lorelei on August 29th 1981.
Every once in a great while, the stars align and the muses visit a concert hall to smile beneficently on the musicians assembled there. How else to account for the ineffable chemistry that infuses the best jazz concerts? Well, the muses were working overtime when vibraphonist Gary Burton took to the stage with the Hum Trio and then The Ahmad Jamal Trio. The resulting performance must rank among these musicians best work, with the kind of soul-deep communication that is often expected but so rarely occurs live in concert.
This album was released on the occasion of the 20th anniversary of the North Sea Jazz Festival. It contains live recordings of John Patitucci, Spyro Gyra, Russ Freeman & The Rippingtons, B.B. King, Chick Corea, Robben Ford and Gary Burton. All songs were recorded live during various editions of this festival.
Features 24 bit digital remastering. Comes with a description. Because Gary Burton uses four mallets simultaneously, he has long been able to sound like two or three players at once. This remarkable solo set has three selections in which Burton overdubs vibes with piano, electric piano, and organ, but those are far overshadowed by three unaccompanied vibes showcased from the 1971 Montreux Jazz Festival and a slightly later (and very memorable) studio rendition of "Chega de Saudade (No More Blues)." The latter is one of the high points of Gary Burton's career. Wondrous music.
The first-ever album from vibist Gary Burton - a very young player at the time of recording, but one who's definitely worth the "new vibe man" promised in the title! The style here is maybe a bit more conventionally swinging than some of Burton's records from later years - a trio setting with Gene Cherico on bass and the great Joe Morello on drums - but both rhythm players are already pretty hip with their timings, and really push Burton into spacious, chromatic territory that's completely sublime - a sound that already marks the musician as really bringing something fresh to his instrument.
A year before New Vibe Man in Town was recorded, Gary Burton joined guitarist Hank Garland for Jazz Winds from a New Direction, which is added as the last six tracks on this CD…