Georg Böhm

Jean-Charles Ablitzer - L'École du Nord: Sweelinck, Praetorius, Weckmann, Tunder, Buxtehude, Böhm (2014)

Jean-Charles Ablitzer - L'École du Nord: Sweelinck, Praetorius, Weckmann, Tunder, Buxtehude, Böhm (2014)
EAC | FLAC | Image (Cue & Log) ~ 445 Mb | Total time: 75:23 | Scans included
Classical | Label: Ligia Digital | LIDI 0109265-14 | Recorded: 2013

Pour son premier enregistrement chez Ligia, l’organiste Jean-Charles Ablitzer a choisi de revenir à l’un de ses orgues préférés, celui du temple de Belfort. En effet, par le passé, il nous avait proposé déjà deux enregistrements sur cet instrument, évoquant au travers des titres le Nord, par le voyage, le souffle ou son école avec le présent album. Il est vrai que l’orgue du temple Saint-Jean de Belfort est exceptionnel. Construit en 1984 par Marc Garnier, suivant les principes de la facture d’orgue nord-allemande magnifiée au XVII° par Arp Schnitger, cet orgue représente un modèle magnifique et sans compromis, de ce que furent ces instruments, portés au sommet par une école d’organites d’une incroyable fertilité et d’une immense variété. De plus le buffet a été copié sur des originaux, et celui ci n’est pas sans rappeler tel ou tel orgue célèbre. On pense à Altenbruch (près d’Hambourg) en particulier.
Georg Böhm - Orgelwerke - Bernard Foccroulle (2011) {Ricercar RIC319}

Georg Böhm - Orgelwerke - Bernard Foccroulle (2011) {Ricercar RIC319}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 316 Mb | MP3 @320 -> 168 Mb
Full Artwork @ 300 dpi (png) -> 57 Mb | 5% repair rar
© 2011 Ricercar / Outhere | RIC 319
Classical / Baroque / Pipe Organ

Bernard Foccroulle here continues his exploration of the north German organist composers with a recording of the works of Georg Böhm, a composer with whom J.S. Bach had come into contact at the end of his adolescence. At the foot of a manuscript dated around 1700 in which he had copied out pieces by Buxtehude, Reinken and Pachelbel that served as models for his own compositions, the young Johannes Sebastian Bach wrote that he was a pupil of Georg Böhm in Lüneburg.

Christophe Guida - Georg Böhm: Organ Work, Vol. 1 (2024)  Music

Posted by Fizzpop at May 9, 2024
Christophe Guida - Georg Böhm: Organ Work, Vol. 1 (2024)

Christophe Guida - Georg Böhm: Organ Work, Vol. 1 (2024)
WEB FLAC (Tracks) 340 MB | Cover | 01:16:36 | MP3 CBR 320 kbps | 179 MB
Classical | Label: Paraty

Born in 1661 in Hohenkirchen, Thuringia, Georg Böhm, together with his contemporaries Pachelbel and Bruhns, belongs to the generation after Reinken and Buxtehude. After studying in Jena, he first worked in Hamburg and then as organist at St. Johannis in Lüneburg until his death. Johann Sebastian Bach received lessons from Böhm during his time in Lüneburg. His influence on Bach's early organ works and piano suites can be assumed, but not proven. The French organist Christophe Guida has recorded the first part of Böhm's organ works on Dominique Thomas' large organ in St. John's Church in Wissembourg, Alsace.

Robert Woolley - Bohm: Harpsichord Music (1988)  Music

Posted by tirexiss at Nov. 18, 2024
Robert Woolley - Bohm: Harpsichord Music (1988)

Robert Woolley - Bohm: Harpsichord Music (1988)
EAC | FLAC (image+.cue, log) | Covers Included | 52:19 | 356 MB
Genre: Classical | Label: Meridian Records | Catalog: CDE84087

The English harpsichordist, organist and fortepianist, Robert Woolley, studied at the Royal College of Music (RCM) in London with Ruth Dyson (1970-1975), attended master-classes given by Kenneth Gilbert and George Malcolm, and made his debut in London in 1976.
Christophe Guida - Georg Böhm: Organ Work, Vol. 1 (2024) [Official Digital Download 24/88]

Christophe Guida - Georg Böhm: Organ Work, Vol. 1 (2024)
FLAC (tracks) 24-bit/88,2 kHz | Front Cover | Time - 76:35 minutes | 1,21 GB
Classical | Label: Paraty, Official Digital Download

The program presented in this recording was performed on the grand organ by Dominique Thomas at the Temple de Wissembourg. It includes three preludes and seven chorales, preludes, and partitas. In the Pre- lude in C Major, one of Böhm’s masterpieces, the composer proves to be a worthy heir to Buxtehude. Eloquence becomes vehement and massive, through properly astonishing chord blocks, followed by a swirling fugue, with a theme incessantly hammered, dispensing invigorating energy.
Franz Vitzthum, Capricornus Consort Basel - Himmels-Lieder: Sacred songs & cantatas (2012)

Franz Vitzthum, Capricornus Consort Basel - Himmels-Lieder: Sacred songs & cantatas (2012)
EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 70:20 | Scans included
Classical | Label: Christophorus | # CHR 77354 | Recorded: 2011

The voice of countertenor Franz Vitzthum resounds with lightness and clarity: its almost ‘celestial’ quality appears completely free of all ballast. How appropriate therefore is this programme for Christophorus, in which the yearning for eternal life, when the shackles of mortal existence have been thrown off, was a central theme of the German Baroque period.
Franz Vitzthum, Capricornus Consort Basel - Himmels-Lieder: Sacred songs & cantatas (2012)

Franz Vitzthum, Capricornus Consort Basel - Himmels-Lieder: Sacred songs & cantatas (2012)
EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 70:20 | Scans included
Classical | Label: Christophorus | # CHR 77354 | Recorded: 2011

The voice of countertenor Franz Vitzthum resounds with lightness and clarity: its almost ‘celestial’ quality appears completely free of all ballast. How appropriate therefore is this programme for Christophorus, in which the yearning for eternal life, when the shackles of mortal existence have been thrown off, was a central theme of the German Baroque period.
Franz Vitzthum, Capricornus Consort Basel - Himmels-Lieder: Sacred songs & cantatas (2012)

Franz Vitzthum, Capricornus Consort Basel - Himmels-Lieder: Sacred songs & cantatas (2012)
EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 70:20 | Scans included
Classical | Label: Christophorus | # TXA21166 | Recorded: 2011

The voice of countertenor Franz Vitzthum resounds with lightness and clarity: its almost ‘celestial’ quality appears completely free of all ballast. How appropriate therefore is this programme for Christophorus, in which the yearning for eternal life, when the shackles of mortal existence have been thrown off, was a central theme of the German Baroque period.
Franz Vitzthum, Capricornus Consort Basel - Himmels-Lieder: Sacred songs & cantatas (2012)

Franz Vitzthum, Capricornus Consort Basel - Himmels-Lieder: Sacred songs & cantatas (2012)
EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 70:20 | Scans included
Classical | Label: Christophorus | # CHR 77354 | Recorded: 2011

The voice of countertenor Franz Vitzthum resounds with lightness and clarity: its almost ‘celestial’ quality appears completely free of all ballast. How appropriate therefore is this programme for Christophorus, in which the yearning for eternal life, when the shackles of mortal existence have been thrown off, was a central theme of the German Baroque period.
Olivier Baumont - Le petit livre [Notenbüchlein] d'Anna Magdalena Bach (2015)

Olivier Baumont - Le petit livre [Notenbüchlein] d'Anna Magdalena Bach (2015)
EAC | FLAC | Image (Cue & Log) ~ 372 Mb | Total time: 67:51 | Scans included
Classical | Label: Bayard Musique | # 308 450.2 | Recorded: 2015

Une compilation d'oeuvres du grand Jean-Sbastien Bach pour son pouse. Un incontournable de toute bibliothque musicale ! Cadeau Anna Magdalena Bach de son poux Jean-Sbastien, ce petit livre deviendra vite un album familial. Leurs fils (Johann Christian, Carl Philipp Emanuel, Gottfried Heinrich) l'utilisent galement pour leurs essais de composition. Pour autant, ce livre est aussi ouvert aux autres compositeurs de l'poque. On y trouve des partitions pour clavier (principalement des menuets, marches et polonaises) mais aussi des chants et des chorals. Cet enregistrement est servi par certains des plus grands artistes actuels de l'art baroque rassembls autour du claveciniste Olivier Baumont : Anne Magout, Christine Plubeau, Aurlien Delage et Julien Chauvin.