Georg Friedrich Handel Weinzinger

It was this set which, in company with one from Sir Colin Davis issued by Philips a few weeks earlier, inaugurated the era of 'progressive' Messiah recordings. They had of course been foreshadowed—by Sir Adrian Boult, notably, and by the work of such editors as John Tobin and Watkins Shaw. But this was one of the first to use a chamber orchestra, lively tempos and ornamentation: and between them Davis and Mackerras made us listen afresh to a work whose performance traditions had threatened to become hidebound… The forces aren't 'authentic', but rather larger, and women's voices are used in the chorus. It is however an excellent chorus, well disciplined and clean.

Poro, re dell'Indie ("Porus, King of the Pakistani region", HWV 28) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was adapted from Alessandro nell'Indie by Metastasio, and based on Alexander the Great's encounter with King Porus in 326 BC. The libretto had already been set to music by Leonardo Vinci in 1729 and by Antonio Vivaldi among others and was used as the text for more than sixty operas throughout the 18th century.

Recordings of Handel’s Water Music come in floods, those of Telemann’s Wassermusik (more properly titled Hamburger Ebb und Fluth) in a gradually growing stream. Couplings of the two, however, are but a trickle, which is a surprise considering that their combined length is thoroughly convenient for CD. This recording was originally released in 1996, and thus predates its only direct rival, from the King’s Consort. The orchestral playing is of a good quality throughout, the Flemish period instrumentalists of Il Fondamento showing a healthy appetite for their task – who would not in such music?

Horst-Tanu Margraf (26 October 1903 − 1978) was a German conductor, Generalmusikdirektor of Halle (Saale) from 1950 to 1969. Margraf was music director in Lemberg during World War II. In Halle he was one of the founders of the Handel Festival. He conducted the Staatskapelle Halle in several operas of George Frideric Handel, some in their first modern production, such as Rinaldo in 1954. He conducted for the festival Radamisto (1955), Poro (1956), Admetos (1958), Giulio Cesare (1959) and Imeneo (1960). In 1966 he conducted a recording of a shortened version of Imeneo with Günther Leib in the title role, Hans-Joachim Rotzsch as Tirinto, and Sylvia Geszty as Rosmene.

Handel wrote quite a few sonatas for small instrumental ensembles – perhaps the best known being the Opus 2 and Opus 5 collections of ‘trio sonatas’. Trio sonatas, a development of the late 17th century, were generally written for two melody instruments (eg, violins) with accompaniment by a ‘continuo’ group of keyboard and other instruments (such as cello or bass viol). Some of the sonatas on this disc are drawn from the Opus 2 collection.