George Soros Biliography

A truly comprehensive four-CD compilation covering the years 1976-1995, including all 31 of his number one hits, 11 more chart singles of great musical significance, 19 LP tracks, and 11 more rare tracks, plus a brace of unreleased songs that are anything but leftovers. The opening three tracks, all written by Strait and dating from 1976-1979, show a lot of potential on his part as a singer fronting a competent band. 1981's "Unwound" was where his career lifted off, and his singing takes on serious depth and range.

A curious happenstance in 1966 triggered the partnership between MPS head Hans Georg Brunner-Schwer and George Duke. Brunner-Schwer was in San Francisco to record the Art van Damme Quintet. After finishing the recording session one evening, he and his team strolled over to a club called the Jazz Workshop. Les McCann was supposed to be playing, but this particular day was his day off. Instead, a 20 year old pianist, still involved in his studies, was performing with his quartet. The music’s freshness so enthralled the German that he set up a recording session on the spot. This encounter between George Duke and Hans Georg Brunner-Schwer in sunny California was both accidental and noteworthy. It turned out to be the jazzy prologue to future events: five years later the American began his fusion-infused sessions for the man from Germany’s Black Forest. These sessions are the theme of this box set with its seven LPs. Some 40 through 45 years after their initial releases, these albums still count as a fascinating and essential part of George Duke’s life’s-work and canon of the genre.

The great musical border crosser of the twentieth century, George Gershwin excelled in the fields of concert music and popular song alike. The son of Jewish immigrants from Russia, he was born Jacob Gershvin in Brooklyn on September 26, 1898. His father ran a great variety of small businesses, and George, in the words of the New Grove Dictionary of Music, "excelled at street sports." He also studied the piano and was introduced to the European classics by his teacher, Charles Hambitzer. Gershwin immersed himself in popular music after dropping out of school in 1914 and getting a job as a salesman for the music publisher Remick. He was influenced by ragtime and stride piano music, and as a songwriter enjoyed his first hit in 1920 with "Swanee," recorded by the leading vocalist of the time, Al Jolson.

A curious happenstance in 1966 triggered the partnership between MPS head Hans Georg Brunner-Schwer and George Duke. Brunner-Schwer was in San Francisco to record the Art van Damme Quintet. After finishing the recording session one evening, he and his team strolled over to a club called the Jazz Workshop. Les McCann was supposed to be playing, but this particular day was his day off. Instead, a 20 year old pianist, still involved in his studies, was performing with his quartet. The music’s freshness so enthralled the German that he set up a recording session on the spot. This encounter between George Duke and Hans Georg Brunner-Schwer in sunny California was both accidental and noteworthy. It turned out to be the jazzy prologue to future events: five years later the American began his fusion-infused sessions for the man from Germany’s Black Forest. These sessions are the theme of this box set with its seven LPs. Some 40 through 45 years after their initial releases, these albums still count as a fascinating and essential part of George Duke’s life’s-work and canon of the genre.

The great musical border crosser of the twentieth century, George Gershwin excelled in the fields of concert music and popular song alike. The son of Jewish immigrants from Russia, he was born Jacob Gershvin in Brooklyn on September 26, 1898. His father ran a great variety of small businesses, and George, in the words of the New Grove Dictionary of Music, "excelled at street sports." He also studied the piano and was introduced to the European classics by his teacher, Charles Hambitzer. Gershwin immersed himself in popular music after dropping out of school in 1914 and getting a job as a salesman for the music publisher Remick. He was influenced by ragtime and stride piano music, and as a songwriter enjoyed his first hit in 1920 with "Swanee," recorded by the leading vocalist of the time, Al Jolson.

A truly comprehensive four-CD compilation covering the years 1976-1995, including all 31 of his number one hits, 11 more chart singles of great musical significance, 19 LP tracks, and 11 more rare tracks, plus a brace of unreleased songs that are anything but leftovers. The opening three tracks, all written by Strait and dating from 1976-1979, show a lot of potential on his part as a singer fronting a competent band. 1981's "Unwound" was where his career lifted off, and his singing takes on serious depth and range.

Three CD set. First-of-it's-kind anthology of the Elektra and Warner Brothers recordings by the multi- talented award-winning musician, producer, songwriter and vocalist George Duke, spanning his 15 years from 1985-2000. A 45-track, 3CD set of musical gems, drawing from George's three Elektra albums, Thief In The Night, George Duke and Night After Night and his six Warner Brothers albums, Snapshot, The Muir Woods Suite, Illusions, Is Love Enough?, After Hours and Cool. Plus a non-album b-side, 'Guilty (Part 2)' making it's worldwide CD debut. This set includes handpicked cuts that reflect George Duke's multi-faceted mastery in Jazz, Funk, Soul and Pop and includes five US R&B charted singles and confirms his place as a staple artist in the world of Smooth Jazz. This sumptuous collection, created by SoulMusic. Com founder David Nathan with invaluable project support from renowned US music journalist A Scott Galloway, features extensive notes by acclaimed UK writer Charles Waring with 2022 quotes from musicians Paul Jackson Jr, Byron Miller and Everette Harp who all worked with George for many years.

George Benson est tout simplement l'un des plus grands guitaristes de l'histoire du jazz, mais il est aussi un musicien incroyablement polyvalent, chanteur à succès, et qui frustre les trop nombreux critiques de jazz qui souhaiteraient l’enfermer dans la petite boîte des solistes remarquables de bebop. George Benson ne se laisse pas attraper aussi facilement, il peut jouer dans n'importe quel style - du swing au bop, du R’n B à la pop, du funk à la soul – sautant de l’un à l’autre avec goût et subtilité, muni d’une belle sonorité ronde, d’une belle dextérité, d’un merveilleux sens de la logique dans la construction de ses solos qu’il exprime toujours avec swing.

Collection includes 5 studio albums by Culture Club, 7 studio albums by Boy George and also one general compilation.

Jones's fondness for gospel music is well documented. The singer revealed to Jessica Walden of The 11th Hour magazine that his first musical memory was singing in church with his mother Clara and, in the 1989 documentary Same Ole Me, he recalls that he learned how to play the guitar at the church where his mother, a devout woman, played piano.