Gerald Odoonal Remote

The first five chronologically sequenced tracks of this compilation mirror the rise of the smooth-jazz radio phenomenon. "So Amazing," "Bermuda Nights," "In the Mood," "My, My, My," and "Anniversary" are all still staples of the format. Released between 1987 and 1990, all (except the second one) are covers of popular R&B tunes, and they still sound fresh. These songs alone make this an excellent collection for smooth-jazz fans. Starting with his fifth album, Live at Birdland West, the exciting tenor saxophonist became a little more adventurous, often completely crossing that broad line that separates smooth jazz from contemporary electric jazz. Two duets–one with Lee Ritenour, "G & Lee," and "Boss of Nova," with Joe Sample–are two examples of his playing that sets Albright apart from most saxophonists who are tagged with the smooth-jazz label. Serious Albright fans may not appreciate the absence of his popular duets with his frequent partner, vocalist Will Downing, but that aside, this is a worthy summation of Albright's successful tenure at Atlantic Records.

One of the biggest stars of R&B, contemporary and straight-ahead jazz, Gerald Albright has earned his reputation as a “musician’s musician.” Born in Los Angeles, he began piano lessons at an early age. Albright’s love of music picked up considerably when he was given a saxophone that had belonged to his piano teacher. By the time he enrolled at the University of Redlands, he was already a polished saxophonist. Albright decided to switch to bass guitar after he saw Louis Johnson in concert. A few months after graduating from college, he joined jazz pianist/R&B singer Patrice Rushen, who was in the process of forming her own band. Later, when the bass player left in the middle of a tour, Albright replaced him and finished the tour on bass guitar.

Gerald Veasley, an in-demand bassist for dozens of artists (amidst lengthy periods with Grover Washington, Jr. and the Zawinul Syndicate), finally debuted as a leader with 1992's Look Ahead. Veasley welcomed both Washington and Zawinul on single tracks, Zawinul's feature being one of his best-known compositions, "Country Preacher." Elsewhere, Veasley works with varying lineups usually anchored by keyboard player Mark Knox, who detracts slightly from the jazz flavor of the date, though his keys do add atmosphere to several tracks. Veasley's spry six-string bass is heard best on "Fly Spy" (with Washington), though the most enjoyable cut on the record is the '70s funk throwback "Sweet Mary."