Partant de questions de lycéens sur la sexualité et de questions d’auditeurs lors d’émissions de radio, le docteur Gérard Leleu vous emmène à la découverte du corps de votre partenaire pour vous apprendre à le toucher, le caresser, lui donner du plaisir et l’aimer. …
Howard Hanson is one of America's great mid-century composers. His music, like that of Roy Harris, draws its character from the plains, from the pioneer blood that settled that part of the country. Here we have two major symphonies, a piano concerto, and a tone-poem, "Mosaics". These works are at the heart of American Romanticism; his melodies are distinct and tonal, his writing formal.
The teacher who has even one pupil who becomes even more distinguished than himself is fortunate; in Purcell, Blow had one such. And when that pupil's death precedes his own he has cause for genuine grief, as Blow did. One of the songs of Purcell, here alternated with instrumental pieces by Blow, contains the line 'Nor let my homely death embroider'd be with scutcheon or with elegy', but it is one with which Blow and others could not concur. In a programmatic tour de force Blow's profoundly beautiful vocal tribute to Purcell comes at the end.