Gestagene in Oralen Kontrazeptiva

When Made In Germany published their eponymous album on Metronome in 1971, this was the reward for their committed practising in grumpy rehearsal rooms for many years. All this began at Beethoven Gymnasium (College) in West Berlin. The West Berliners had started as a schoolboy band in order to play the hits of their protagonists. Under the name of "Cosmics" they still considered the "making of music" a hobby. In 1968 they won the first prize in an international beat festival together with the Chechen band "Atlantis". The bands became friends and saw each others. When the musicians of "Atlantis" split up, their guitarist (Stan Regal) stayed in Berlin, married and started to work in Audio recording studio. This was a favourable combination for the band to fulfil their dream to record their music material in a proper recording studio and to get a recording contract as they were technically well-experienced and sufficiently self-confident, too…

Recorded across two shows with the Royal Liverpool Philharmonic Orchestra in October 2018.
Orchestral Manoeuvres in the Dark are one of the earliest, most commercially successful, and enduring synth pop groups. Inspired most by the advancements of Kraftwerk and striving at one point "to be ABBA and Stockhausen," they've continually drawn from early electronic music as they've alternately disregarded, mutated, or embraced the conventions of the three-minute pop song. Outside their native England, OMD are known primarily for "Maid of Orleans" and the Pretty in Pink soundtrack smash "If You Leave," yet they scored 18 additional charting U.K. singles in the '80s alone. These hits supported inventive albums such as Orchestral Manoeuvres in the Dark (1980), Architecture & Morality (1981), and commercial suicide-turned-cult classic Dazzle Ships (1983)…

This is the third, and apparently, the last single of OMD taken from their 2013 album "English Electric". The CD is divided in two parts: "Night Café" in five different versions and… five non-album B-Sides, including the never released before "Kill Me". As per "Night Café", we have of course, the album version that really didn't need any further editing or remixing as the song in itself is just brilliant. A pure typical OMD songs in the vein of ‘Secret’ or "If You Leave", with a more melancholic and darker side probably. The four remixes are just what a New Wave fan expect from a remix: just enough experimentation and twittering, extending and fresh production with great respect of the artist's work, keeping some synth lines and not playing too much with vocals.

This is the third, and apparently, the last single of OMD taken from their 2013 album "English Electric". The CD is divided in two parts: "Night Café" in five different versions and… five non-album B-Sides, including the never released before "Kill Me". As per "Night Café", we have of course, the album version that really didn't need any further editing or remixing as the song in itself is just brilliant. A pure typical OMD songs in the vein of ‘Secret’ or "If You Leave", with a more melancholic and darker side probably. The four remixes are just what a New Wave fan expect from a remix: just enough experimentation and twittering, extending and fresh production with great respect of the artist's work, keeping some synth lines and not playing too much with vocals.

The tracklisting collects together all of the B sides, radio edits, extended 12″ mixes and remixes from The Punishment of Luxury era and brings them to CD for the very first time.
This B Sides & Bonus Material release effectively rounds up three singles, delivering ten tracks made up of three non-album B-sides, three single mixes and four extended mixes.