“My enthusiasm for Brahms goes back to my youth, and the piano concertos are largely responsible for it,” writes Sir András Schiff in a liner note for this remarkable new recording. It finds the great pianist reassessing interpretive approaches to Brahms in the inspired company of the Orchestra of the Age of Enlightenment. To fully bring out the characteristics of Brahms’s music Schiff’s choice of instrument is a Blüthner piano built in Leipzig around 1859, the year in which the D minor concerto was premiered.
In the light of her untimely death, Ginette Neveu’s artistic achievements are legendary; she is remembered both for her outstanding personality and her prodigious talent. She was the world’s first great female violinist, adored everywhere and critically acclaimed for her virile playing that combined irresistible force, passion, intensity, lyricism, sonority and precision.
Celebrating the 100th Birthday of the “troubadour of the keyboard”, Géza Anda on November 19th, we present a limited edition 17-CD set including memorable recordings of Bartók, Brahms and Schumann, a pioneering Mozart concerto cycle conducted from the piano, and the Beethoven ‘Triple’ Concerto with Wolfgang Schneiderhan and Pierre Fournier.
Originally released between 1976 and 2007, the offerings in this eight-CD box set represent Maurizio Pollini's exemplary concerto recordings for Deutsche Grammophon, including all of Ludwig van Beethoven's cycle, the two piano concertos by Johannes Brahms, and six of Wolfgang Amadeus Mozart's masterpieces in performances that rank among the pianist's finest.
Originally released between 1976 and 2007, the offerings in this eight-CD box set represent Maurizio Pollini's exemplary concerto recordings for Deutsche Grammophon, including all of Ludwig van Beethoven's cycle, the two piano concertos by Johannes Brahms, and six of Wolfgang Amadeus Mozart's masterpieces in performances that rank among the pianist's finest.
While not technically awful, Jascha Heifetz's 1955 recording of Brahms' Violin Concerto with Fritz Reiner conducting the Chicago Symphony is still close to unbearable. By 1955, Heifetz's once sinewy tone had tightened, his once supple technique had hardened, and his once warm interpretation had grown cold. With the never sinewy, supple, or warm Fritz Reiner, Heifetz creates a performance of Brahms' lyrical masterpiece that grates on the sensibilities.
The visiting Bavarian Radio Symphony Orchestra opened its concert at the 1967 Vienna Festival with a high-octane performance of Dvorák’s patriotic overture The Hussites. In the Brahms Violin Concerto, the elegant soloist Henry Szeryng and the conductor Rafael Kubelík entered into a musical dialogue that was both subtly sensitive and quick-witted. This release has been digitally mastered from the original tapes for optimal sound quality, and is sure to delight a whole new generation of listeners.
The visiting Bavarian Radio Symphony Orchestra opened its concert at the 1967 Vienna Festival with a high-octane performance of Dvorák’s patriotic overture The Hussites. In the Brahms Violin Concerto, the elegant soloist Henry Szeryng and the conductor Rafael Kubelík entered into a musical dialogue that was both subtly sensitive and quick-witted. This release has been digitally mastered from the original tapes for optimal sound quality, and is sure to delight a whole new generation of listeners.
George Szell owned the First Piano Concerto. He played the opening movement like no one else, and he recorded the work with three outstanding pianists: Sir Clifford Curzon, Rudolf Serkin, and this performance with Anton Fleischer. When I say this is the best of the three, I'm making a tough choice, but Fleischer brings a youthful vigor and rage to the music that complements Szell's fiery accompaniment so well that they sound like they're both performing from the same musical brain.
The second album in Lars Vogts Johannes Brahms concerto series with the Royal Northern Sinfonia includes Brahms 2nd Piano Concerto combined with a solo piano work, Handel Variations Op. 24, which was dedicated to Clara Schumann by the composer. Brahms Piano Concerto No. 2 is a romantic 4-movement concerto written two decades after its predecessor and one of the cornerstones in the concerto repertoire. This remarkable opus with a great number of beautiful solo passages and with a duration of over 45 minutes has been interpreted by numerous pianists since its premiere in 1881. In this album, Vogt performs the concerto conducting from the keyboard.