Ils ont trois jours à San Francisco. Trois jours pour écrire leur histoire.
Que feriez-vous si un fantôme débarquait dans votre vie et vous demandait de l'aider à réaliser son vœu le plus cher ? Seriez-vous prêt à partir avec lui en avion à l'autre bout du monde ? Au risque de passer pour un fou ? Et si ce fantôme était celui de votre père ?
Thomas, pianiste virtuose, est entraîné dans une aventure fabuleuse …
This 65 minute LP weaves themes of love, heartbreak, and betrayal into monolithic synth-driven space-rock, with inspiration as diverse as Nine Inch Nails, Sigur Ros, Vangelis and Pink Floyd. Writer and producer Christopher Bono utilizes his classical background to sculpt this expansive and engaging series of compositions, contrasting heavy walls of sound with ambient passages, contemporary classical and experimental electronic influences. Bono collaborated with Thomas Pridgen, whose drumming credits include the likes of The Mars Volta, Trash Talk, Suicidal Tendencies and Memorials.
The intoxicating debut from Frozen Ghost commingles Great White North album-oriented rock with a classy new wave chill worthy of their mysterious moniker. Not as artsy as Duran Duran, not as emotive as Ultravox, this pair may be the Canadian answer to Tears for Fears, only better than that sounds. Opening minor hit "Should I See" might as well be the Fixx, but it's actually brainchild Andre Lanni establishing his way with ruminating rhymes and mechanical melody. He came from Sheriff, where he wrote their posthumous smash "When I'm With You" and, after three fine FG works, went on to become a powerhouse producer (King's X) and mentor (Our Lady Peace). Except for the radio number mentioned above, Frozen Ghost fell off the face of the planet instantly. A shame, as the world missed out on the mysterious stranger lurking in "Yum Bai Ya," the military melancholy of "Soldiers Cry," and "End of the Line," a flat-out great pop tune not related to the Traveling Wilburys hit of the same period or even the Roxy Music song (though Roxy roots appear elsewhere). Actually, every track is rock-solid and probably gone forever, further adding to the mystique of one of the all-time should-have-beens.
Ginger Wildheart has always had a love of Country music. If early Wildhearts B-side "Bad Time To Be Having A Bad Time" hinted at his broad musical palate then his 'Howling Willie Cunt' album stood screaming it's heritage straight into your face.