Giardino Rinascimentale

Giovanni Antonini has been recording the complete symphonies of Joseph Haydn with the Alpha label for more than five years. Now the series is enriched by another monument by the Austrian composer: Die Schöpfung (The Creation), recorded in 2019 with the Bavarian Radio Chorus and his own orchestra, Il Giardino Armonico. This great oratorio was inspired by those of Handel, which Haydn heard performed by very large forces during his visits to England. The Creation, composed between September 1796 and April 1798, demanded such a colossal effort of him that he even fell ill just after its first performance; but the work enjoyed immense success. The marriage between the Bavarian chorus, so familiar with this masterpiece, and the period-instrument musicians of Il Giardino Armonico works perfectly, with a vocal trio composed of leading soloists: Anna Lucia Richter, Maximilian Schmitt and Florian Boesch.

The HAYDN2032 edition celebrates the release of the tenth volume in the complete recording of Haydn’s 107 symphonies. Entitled ‘The Times of Day’, this programme is devoted to Symphonies nos. 6, 7 and 8, whose individual names translate as ‘Morning’, ‘Noon’ and ‘Evening’. Prince Paul Anton Esterházy, who commissioned the work, is said to have wanted to show his guests that his orchestra was of excellent quality and that ‘his’ Haydn was highly inventive. Giovanni Antonini’s orchestra, Il Giardino Armonico, once again rises to the challenge! This triptych following the sun’s course is prolonged into the night by the work of another composer: Mozart’s Serenade in D major, nicknamed Serenata notturna, probably written for a masked ball at Salzburg Town Hall in February 1776. Jérôme Sessini of the Magnum agency, who has won awards for his work on the cartel wars in Mexico and the opioid crisis in the United States, took the photographs featured in this volume.

Giovanni Antonini and his ensemble Il Giardino Armonico celebrate the composer who made them famous: Antonio Vivaldi. Their recordings of The Four Seasons and Cecilia Bartoli's famous first Vivaldi recital left an indelible mark on the discography of the Red-haired Priest! Their musical fireworks display continues with a programme of concertos that is bound to provoke strong reactions, since it is the result of a meeting with a musician who is equally adept at shifting boundaries, the violinist Patricia Kopatchinskaja. Together they have devised a programme entitled WHAT'S NEXT VIVALDI?, which interweaves ultra-virtuosic concertos by Vivaldi (Il Grosso Mogul RV 208, La Tempesta di Mare (for violin!) RV 253, and RV 157, 191, 550 among others) with, between each concerto, short pieces written by much more recent composers, Luca Francesconi, Simone Movio, Giacinto Scelsi, Aureliano Cattaneo and Giovanni Sollima, and mostly commissioned by Patricia Kopatchinskaja especially for this programme.