Himself is Irish-English singer-songwriter Gilbert O'Sullivan's debut album, originally released in August 1971. Union Square Music re-released it 2011 on Salvo label in part of the Gilbert O'Sullivan - A Singer & His Songs collection. In 1972, MAM/London saw fit to let the U.S. have its first proper Gilbert O'Sullivan record, a repackaging of his 1971 U.K. debut release, Himself. The repackaging included new cover art (with Gilbert sporting the first of his famous "G" emblazoned varsity sweaters) as well as an altered track listing. "Susan Van Heusen" and "Doing the Best I Can," from the U.K. release, were omitted in favor of "We Will" and his Number One, U.S. smash "Alone Again (Naturally)."
Halfway to Heaven is the second studio album by Brantley Gilbert. It was originally released on March 16, 2010 via Average Joe's Entertainment. The deluxe version of the album was released on September 13, 2011 via Valory Music Group. This re-release featured remixes of all the tracks, as well as several new tracks that were not on the original version of the album.
Paul Brandon Gilbert is an American hard rock and heavy metal guitarist. He is best known for being the co-founder of the band Mr. Big. He was also a member of Racer X, with whom he released several albums. In 1996, Gilbert launched a solo career, for which he has released numerous solo albums, and featured in numerous collaborations and guest appearances on other musicians' albums…
A sudden switch in image accompanied Gilbert O'Sullivan's second album, 1972's Back to Front and its simultaneously released separate single "Alone Again (Naturally)." Gone was the mischievous little scamp sporting a jaunty cap and hand-me-down tweeds, in was a slick, hairy-chested lothario and along with this visual makeover came an aural overhaul, with O'Sullivan's sprightly show tune-inspired pop sounding slicker than before. And it's not just that Back to Front is given a gloss that would not have seemed out of place on a televised variety show from 1972, it's that O'Sullivan is taking great care to write sprightly theatrical tunes, songs that take great pride in their clever-clever twists, smiling, crowd-pleasing melodies, and the proudly cheeky sentimentality that drips off of “Clair,” to name the most obvious example here. In many ways, the unabashed showbiz cheer of Back to Front trumps the bedsit introspection of Himself: in his heart Gilbert O’Sullivan is a song-and-dance man possessing a way with a snappy hook or tearjerking melody, qualities that are amply – and charmingly – displayed here.