Girls in th Egarage

Girls in Airports has been described as ‘a unique blend of Nordic jazz lyricism, indie-rock influences and sounds from around the world’.

Girls in Hawaii is a Belgian indie pop band. "Nocturne" is the band's fourth studio album. Their pop songs are surprisingly sophisticated. Both in the production and instrumentation, everything is carefully calculated, nothing is left to chance…

Men continue to outnumber women in numerous technical STEM (Science, Technology, Engineering, and Math) fields such as, engineering and computer science. Prior work demonstrates the importance of introducing girls to STEM content early on, before gender stereotypes are ingrained. However, many parents and teachers are not sure how to do this in a developmentally appropriate and playful way.

The sixth full-length release for Meg Remy as U.S. Girls was recorded with a live band and was co-produced with Steve Chahley. The album features dark meditations reflecting charged atmospheres that directly precede and follow acts of violence. Many of the songs are character studies of women grappling with power; how to gain and exert it spiritually, as well as desperate strategies to mitigate its infliction. Remy also rallies against the public lies told by political and religious leaders, and more crucially, questions the lies we tell ourselves in order to survive. While U.S. Girls, denoting the plural, is no longer a misnomer, "In A Poem Unlimited" may be Remy’s most individually distilled protest to date.

It was the logical extension of two of the most important and enduring pop music tributaries of the 1960s – the girl group sound and the garage band explosion, respectively – but the distaff garage rock scene has earned precious little documentation on record or in history books over the years. Romulan's long-running Girls in the Garage series has done much to rectify that oversight, however, compiling an astounding amount of prime crunch – the first CD volume in the series is also its strongest, adding 11 tracks to the 16 that made up the original vinyl. Like all garage collections, there are equal amounts killer and filler, and the joy of discovery is alone worth the price of admission – Denise & Co.'s "Boy, What Will You Do Then," the Belles' "Come Back," and Lydia Marcelle's "The Girl He Needs" are top-shelf by any standard, however, and the Continental Co-Ets' blistering instrumental "Melody of Junk" dismisses once and for all any lingering misconceptions that the girls couldn't rock as hard as the boys.