Girs Gone Skank

The Cannonball Adderley Quintet - Music, You All (1972) {Blue Note-Real Gone Music RGM-0454 rel 2016}
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© 1972, 2016 Blue Note / Capitol / Real Gone Music / Dusty Groove | RGM-0454
Jazz / Soul Jazz / Modern Jazz / Jazz Funk / Saxophone

Killer work from the same sessions that gave the world Cannonball Adderley's classic Black Messiah album – live material from an extended stretch as the Troubadour club in LA – featuring a very righteous, freewheeling version of Cannonball's group! The lineup features some wonderful work on Fender Rhodes from George Duke – who brings a more soulful, spiritual current to the proceedings than Joe Zawinul did in earlier years – a really commanding presence that hints at his brewing solo fame, and which is a very welcome addition to the core lineup, which also includes Cannon on soprano and alto, and brother Nat on cornet!

Gone Troppo is an album by George Harrison recorded and released in 1982. It would prove to be Harrison's last studio album for five years, wherein he would largely take an extended leave of absence from his recording career, with only the occasional soundtrack recording surfacing. By 1980, Harrison had been finding the current musical climate alienating. His commercial appeal had dwindled, with 1981's Somewhere in England failing to go gold (despite featuring the John Lennon tribute hit, "All Those Years Ago"). With one album left on his current recording contract, Harrison decided to get it over with and recorded Gone Troppo (an Australian slang expression meaning "gone mad/crazy") and released it without participating in any promotion, disenchanted as he was with the state of the music industry.

The Edgar Broughton Band burst on to the UK music scene in 1969 and were trail blazers for the underground counterculture, performing rock music with a social conscience. Hailing from Warwick and featuring EDGAR BROUGHTON (guitars, vocals), STEVE BROUGHTON (drums, vocals) and ARTHUR GRANT (bass, vocals), their hard-hitting approach over a series of hit albums for EMI’s Harvest label and appearances at the legendary Hyde Park Free Concerts earned them many loyal fans and several hit singles (including their anthem ‘Out Demons Out!’) and the reputation of being a true “people’s band”. In 1970 the band was expanded to include guitarist VICTOR UNITT.

This compilation has all of the music formerly on singer June Christy's two 1957 Capitol LPs, Fair and Warmer! and Gone for the Day, both of which have Pete Rugolo arrangements. The former set (which is actually programmed second) finds Christy joined by a 12-piece group of mostly West Coast all-stars. The backup players include trumpeter Don Fagerquist, trombonist Frank Rosolino, altoist Bud Shank, and Bob Cooper on tenor, but they are mostly restricted to short statements. Christy is in excellent form on such numbers as a definitive (but very brief) "I Want to Be Happy," "When Sunny Gets Blue," and "It's Always You." Three different groups are used on the Gone for the Day set, two of which have string sections, while the other uses five trombones.

After years of silence, Patti Smith returned to music with a series of concerts in late 1995. It had been years since she had performed live – for most of the '80s and '90s, she concentrated on domestic life. Following the death of her husband, Fred "Sonic" Smith, in early 1995, Smith began playing music in public again and those concerts eventually led to the triumphant comeback Gone Again. Her husband wasn't the only loved one Smith lost between 1988's Dream of Life and 1996's Gone Again – her brother and her close friend Robert Mapplethorpe both died.

If Good as I Been to You was a strong traditionalist folk record, World Gone Wrong was an exceptional one, boasting an exceptional set of songs given performances so fully realized that they seemed like modern protest songs…