Gnosis

Whoever may believe that he has found, in this book, a collection of recipes through which he can effortlessly obtain honor, fame, wealth and power or the means to annihilate his enemies should be told that eventually he will very disappointedly put this book aside.

If you go by his recorded output, there’s never a time that trumpeter Taylor Haskins has been normal. His early recordings show an intuitive awareness of the meeting points of post-bop and indie-rock, and his acuity in that particular area resulted in some music that rivaled what other like-minded souls, such as Ben Allison and Kneebody were doing at the time. The passing of time saw Haskins’ sound evolving into music that focused increasingly on melodic possibilities and how they would thrive in different environments. There was the folk-jazz of 2010’s American Dream, the chamber strings of 2014’s Fuzzy Logic and the 2011 electro-acoustic project Recombination. While a strong electronic presence is nothing new for Haskins, Recombination was emblematic of something more definitive. His newest recording Gnosis very much presents itself as the penultimate vision of that particular area of exploration.

David Virelles - Gnosis (2017) {ECM 2526} (Complete Artwork - Slipcase with 20 pages)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 200 Mb | MP3 @320 -> 125 Mb
Full Artwork @ 600 dpi (jpg) -> 144 Mb | 5% repair rar
© 2017 ECM Records | ECM 2526 / 576 5115
Jazz / Contemporary Jazz / Modern Creative / Cuban / Piano

The 34-year-old Manhattan-resident Cuban pianist David Virelles can sound like a 21st-century jazz heir to Herbie Hancock in other people’s bands (Tomasz Stanko’s, Chris Potter’s) – but his own preferences are for avant-grooving, as on last year’s Antenna and the broadly sourced contemporary classical music that informs a good deal of Gnosis. This session, with strings, flute, vocals and four percussionists led by the Cuban drums guru Roman Diaz, sees Virelles deepening his exploration of the fission points between ancient African Cuban traditions and the music of his own era.

A sublime and transcendent memorial to one of Zorn’s earliest mentors—Ennio Morricone. Featuring the soulful guitar of Bill Frisell set within the magical sonorities of vibraphone, harp and bells the music takes on an epic orchestral sweep with the added presence of special guest keyboard wizard John Medeski on organ and piano. Filled with beautiful harmonies, a driving rhythmic pulse and stunning lyri-cism, this is some of the most lush and spiritual music Zorn has ever written. Truly music of the Angels—intimate chamber music to heal an aching heart performed by one of the world's most ethereal ensembles.

Gnosis is the highly anticipated 8th full length from Russian Circles.