Goblin Profondo Rosso

In the immense Goblin discography, an enormous void has always been represented by the original motion picture soundtrack of Squadra Antimafia, a score which we have tried to find, since many years, but that is apparently lost. A 1978 movie full of absolute cult icons among which Tomas Milian, Bombolo, Enzo Cannavale, Eli Wallach, Massimo Vanni directed by Bruno Corbucci: to this incredible list of stars to add Goblin is exciting. So, a while ago, following the initiative of Fabio Capuzzo, veteran musicians of the prog and funky Italian scene are involved and gathered to work to a new recording session of this amazing score. The result isn’t intercepted too late by Beat Records radars and so we are proud to give a discographic life to this wonderful project through which, with extreme precision and care has been realized again the soundtrack now expressed through the sonorities of Marcello Bonetta (keyboards), Diego Vergari (drums, percussions) Giorgio Giuseppe Tonazzo (bass), Antonio Micheli (Guitar).

THE LONG-AWAITED NEW STUDIO ALBUM FROM THE UK'S LEGENDARY HEAVY METAL TRAILBLAZERS. ON 2LP, CD & SPECIAL DIGIPACK CD EDITION WITH BONUS TRACK & 20 PAGE BOOKLET.
Originally formed in London under the name 'Our Haunted Kingdom' back in 1995, celebrated UK metal greats 'Orange Goblin' entered the world of heavy music as wide-eyed enthusiasts, eager to channel the fire & fury of their favourite bands. Emerging amid the exhilarating melee of the mid-'90s stoner rock & doom explosion, Orange Goblin's debut album 'Frequencies From Planet Ten' was released via underground imprint Rise Above Records in October 1997.

After the internationally successful solo debut of Jan Börner‘s disc “absorta est …”, this album connects to Börner‘s first work in many respects. We find ourselves in the German-speaking repertoire of the predominantly late 17 th century, however, this time with secular instead of sacred music.

Coincidences, the new album by pianist and composer Manuel Zito. His music, which has succeeded more than 12 million streams on music platforms, is a mélange that combines neoclassical references to a declared love for electronic suggestions of contemporary northern European artists, with an effective balance of acoustic and electronic instruments. The album sees the artistic production of Massimo De Vita (Blindur), the post-production of Birgir Jon Birgisson, sound engineer already with Sigur Ros, Bjork, Damien Rice, and was recorded at Forum Studios in Rome.

The world premiere recording of Torelli's Triosonatas opus 2 (1686) performed by violinist Pietro Battistoni together with the Rosso Verona Baroque Ensemble. This recording is an important contribution to our appreciation of Torelli as a pivotal chamber music composer.

With this new recording, Decca has pretty much sewn up the market on three generations of outstanding Bohèmes. Tebaldi and Bergonzi represent the 1950s, Freni and Pavarotti represent the 70s, and now Gheorghiu and Alagna take us into the new millennium with a recording that ranks among the very best.

Mathieu van Bellen and Mathias Halvorsen present an ambitious and first ever completly instrumental arrangement of Giaccomo Puccini’s entire opera La Bohème. The musicians have arranged the score themselves, bringing together the parts of the soloists, the choir and the orchestra into a hyper-virtuosic piece for just violin and piano. Recorded live in front of an audience, van Bellen and Halvorsen give everything they have; bringing forth each scene in an expressive and highly evocative tour de force.

The role of Rodolfo from Giacomo Puccini's La Bohème launched Luciano Pavarotti's career in 1961 when he made his professional debut in a small regional production in Reggio Emilia, Italy. He would revisit the role several times over his career, including this 1972 album considered to be one of the finest versions of La Bohème ever recorded. Equally impressive here is Pavarotti's childhood friend Mirella Freni as Mimi. Conductor Herbert von Karajan proves himself a masterful, sensitive interpreter of Puccini as he leads the Berlin Philharmonic Orchestra.