Comment en est-on arrivé là ? C'est la question que se pose Jonathan Coe dans ce roman brillant qui chronique avec une ironie mordante l'histoire politique de l'Angleterre des années 2010. Du premier gouvernement de coalition en Grande-Bretagne aux émeutes de Londres en 2011, de la fièvre joyeuse et collective des Jeux Olympiques de 2012 au couperet du référendum sur le Brexit, Le Cœur de l'Angleterre explore avec humour et mélancolie les désillusions publiques et privées d'une nation en crise. …
Scooter drop typically energetic new album ‘God Save The Rave’ APRIL 16, 2021 BY RYAN FORD. Iconic German happy hardcore group Scooter have just dropped their twentieth album ‘God Save The Rave’, almost four years after their last. The album features stand-out collaborations with some of the industries best, combining with Dimitri Vegas & Like Mike for ‘We Love Hardcore’, Timmy Trumpet for ‘Paul is Dead’ and Harris & Ford for the namesake track ‘God Save The Rave’. The energetic selection of tracks aren’t without iconic samples either, with ‘We Love Hardcore’ sampling Zombie Nation’s ‘Kernkraft 400’, as ‘Which Light Switch Is Which?’ contains samples of the 1995 song ‘Strings of Infinity’ by T-Marc featuring Vincent. For those lucky enough to own the vinyl edition, the track ‘Wand’rin’ Star’ has been replaced by another track ‘Lugosi’.
God Save the King is actually a split release and/or a Robert Fripp compilation, depending on how you look at it. In 1980, Robert Fripp released something of a split disc himself, called God Save the Queen/Under Heavy Manners, consisting of a side of Frippertronics and a side of Discotronics, the latter being Frippertronics with a "dance-oriented" (according to Fripp) rhythm section. Also in 1980, Fripp formed a new group, borrowing the name from his early-'60s band, the League of Gentlemen.
Settling officially into the Gospel Truth label, Reverend Maceo Woods and his Christian Tabernacle Concert Choir performed their first proprietary release on the label, “God Save Your People,” in 1972. The album’s opening selection picks up where Woods and the group’s previous LP left off, evangelizing to wayward souls with the cadence of “The Magnificient Sanctuary Band (Marching for the Man).” The group’s frequent male soloist Melvin Smothers sings an enthusiastic lead, encouraging all who can hear to drop everything and make a joyful noise about God’s grace. But the gleeful vocal is nearly overshadowed by the military-inspired taps of percussionist Billy Carson.