Godzilla Minas

At the time of his death in 2010, Almeida Prado was one of Brazil’s most internationally admired composers, one who created music of unique sonority and colour, rooted in his native country. In Aurora (‘Dawn’) he employs his newly developed ‘transtonality’ to radiant effect, while the Concerto Fribourgeois features a collage technique. In his Piano Concerto No. 1 Almeida Prado explores a cogent structure in which the soloist opens up, rips apart or transforms the theme and variations, in a work that is both grandiose and luminous.

This is another of the must-have classic albums by Milton Nascimento. Released in 1975, the album opens with the wonderful "Minas" (Novelli), a tribute to all sacred music traditions in the Minas Gerais state, which was deeply influential in Nascimento's sensibility. The album launched songs that became strong emotional hits: "Fé Cega, Faca Amolada," "Beijo Partido," the nostalgic "Saudades Dos Aviões da Panair," "Ponta de Areia," and "Paula E Bebeto." There's a preferential orchestral/choir treatment over the band's performances which strengthens the evocative bonds of an ancient Minas.