Goethe Jahrbuch 2002

Karl-Ernst Schröder was born in Eschweiler, Germany in 1958. He studied Renaissance guitar and lute with Professor Tadashi Sasaki at the Aachen Musikhochschule, attending masterclasses with Anthony Bailes and afterwards continuing his training in early music performance at Switzerland's Schola Cantorum Basiliensis in the lute classes of Eugen M Dombois and Hopkinson Smith. He collaborated with many Baroque and Renaissance ensembles including Mala Punica (Pedro Memelsdorff), Dolcissimo Sospiro, the Basel Consort, various groups associated with René Jacobs, the Badinierie Ensemble, the Lyra Consort, Concerto Köln, the Freiburg Barockorchester, Aurora/Enrico Gatti, Ludwig-Senfl-Ensemble (Michel Piguet), Sonatori Gelosi and Ensemble 415 (Chiara Banchini)…

De 1882 à 1897, Steiner publie les éditions scientifiques de Goethe, pour lesquelles il écrit les introductions rassemblées dans le présent volume. Il y montre la place qu'occupe Goethe dans l'évolution de la pensée scientifique : de même que Galilée révolutionna la conception du monde de l'inanimé par sa découverte des lois de la mécanique, de même Goethe découvre les lois du monde du vivant. " Goethe est parvenu à des vues fondamentales qui ont pour la science de l'inorganique la même importance qu'ont les lois fondamentales de la mécanique. ", écrit Steiner. …

Internationale Ferienkurse fur Neue Musik, Darmstadt 2002
Classical | EAC: FLAC+Cue+Log | 1 Cd, Covers | 308 Mb
Label: col legno - Date: 2004

A meeting point for composers, interpreters, performers, sound artists, and scholars. For discovery, learning, networking, exchange and debate, collaboration, and – last but not least – invention. This is what the Darmstadt International Summer Courses for New Music have in store. ..

The Deutsche Schubert-Lied-Edition presents all Schubert’s Lieder, over 700 songs, grouped according to the poets who inspired him. Thanks to Bärenreiter’s Neue Schubert-Ausgabe, which uses primary sources, the performers have been able to benefit from the most recent research of the editorial team. The third volume devoted to settings of poems by Goethe includes the best known song of all, Erlkönig. These songs for male voice range from 1814 to the 1820s, some in Goethe’s preferred strophic form, others through-composed.