Goldschmidt Concertos

The virtues of Uchida's playing are the ones classically associated with Mozart: grace, fluidity, restraint, and a certain playful quality. Those are all on display in these performances of Mozart concertos from the 1770s, early in the composer's career. Uchida's style is more concerned with small details than with large spaces, and this puts her somewhat out of the mainstream in a work like the Piano Concertos

The virtues of Uchida's playing are the ones classically associated with Mozart: grace, fluidity, restraint, and a certain playful quality. Those are all on display in these performances of Mozart concertos from the 1770s, early in the composer's career. Uchida's style is more concerned with small details than with large spaces, and this puts her somewhat out of the mainstream in a work like the Piano Concertos

The virtues of Uchida's playing are the ones classically associated with Mozart: grace, fluidity, restraint, and a certain playful quality. Those are all on display in these performances of Mozart concertos from the 1770s, early in the composer's career. Uchida's style is more concerned with small details than with large spaces, and this puts her somewhat out of the mainstream in a work like the Piano Concertos

The virtues of Uchida's playing are the ones classically associated with Mozart: grace, fluidity, restraint, and a certain playful quality. Those are all on display in these performances of Mozart concertos from the 1770s, early in the composer's career. Uchida's style is more concerned with small details than with large spaces, and this puts her somewhat out of the mainstream in a work like the Piano Concertos

The virtues of Uchida's playing are the ones classically associated with Mozart: grace, fluidity, restraint, and a certain playful quality. Those are all on display in these performances of Mozart concertos from the 1770s, early in the composer's career. Uchida's style is more concerned with small details than with large spaces, and this puts her somewhat out of the mainstream in a work like the Piano Concertos

Dutch Baritonist Per Goldscmidt's albums won't having you throw out your Mulligan, Shihab, or Brignola collection but for those of you who like Baritone post bop he's definitely underrecognized. But musicians know him and it is evidenced by who's along with him on this quartet outting including younger Dutch ace Nils Lan Doky on keys,Lonnie Plaxico on bass,and legend Jack Dejohnette on skins.I'd run a lengthy run down but let's say it's a solid CD good writing on original tunes. But pick this one after you have gotten the CD Tribute To Frank Sinatra.Incredible NHOP there and tunes that played in manner that might make both Frank and Nelson Riddle have the hair on there necks stand up on end.This CD here has same energy and ace playing but the use of otherwise familiar tunes turned into charging hard bop romps is a touch above.