Gospel Slide

Ben Harper's history with the Blind Boys of Alabama has been an evolving one that has moved from being a guest on their landmark Higher Ground offering and touring with them in Europe, to the Blind Boys joining Ben and the Innocent Criminals on-stage at the front and back of the show. This album began as a series of rehearsals for collaboration on a Blind Boys of Alabama record. Recorded in two sessions, the vibe in the room was loose and creative enough that the two acts ended up with an album of collaborative material for joint release. And this is a collaboration in the truest sense of the word. It's not just Ben playing gospel, or the Blind Boys of Alabama singing on a Ben Harper record…..

Robert Randolph grew up playing sacred steel music – basically gospel played on pedal steel guitar – on the House of God church in Orange, New Jersey, and began taking his joyous, gospel-infused music out to clubs and into the world.

Decades before Corey Harris, Guy Davis, and Keb' Mo' wed the Delta blues to various folk forms, there was Taj Mahal. Almost from the very beginning, Mahal provided audiences with connections to a plethora of blues styles. Further, he offered hard evidence connecting American blues to folk styles from other nations, particularly, but not limited to, those from the West Indies and various African countries, bridging gaps, highlighting similarities, and establishing links between many experiences of the African diaspora…

Elles Bailey may well have picked up two awards from the prestigious UK Americana 2023 Awards (the highly coveted Artist of the Year Award and the very first Live Act of the Year Award and have been shortlisted for 3 awards at the forthcoming UK Blues Awards 2023 but she’s not standing still, basking in acclaim: this ever-creative, hardworking, genre-topping artist is moving forwards and releasing fresh material.

Marva Wright's albums might be filed more often under the blues section than any other, but in truth she's a versatile singer of all forms of New Orleans R&B, venturing into gospel and soul as well. There's no faulting her vocal performances on Born with the Blues; their powerful gutsiness marks her as one of the best blues/R&B singers to emerge in the final decades of the 20th century. It's the material that makes this an uneven record, though a worthwhile one on the whole. Some of the songs are quite good, the title track being a particular highlight for both its minor-keyed melody and vocals with a lived-in intensity that was a rare commodity indeed in '90s blues records. "Pray" is another peak, both for its moody gospel melody and stellar backup by Sonny Landreth on slithering slide guitar…