Got me Worried

Based out of New Orleans, guitarist and singer Walter "Wolfman" Washington has become one of the leading lights in the Louisiana blues scene, playing a fiery mixture of soul, funk, jazz, and blues. Washington first became a local hero backing up some of the Crescent City's most celebrated blues and R&B acts before moving on to a successful solo career, playing the blues with rare fluency and power.
In 1981, Washington cut his first solo album, Rainin' in My Life, for the small New Orleans label Help Me Records. Rounder Records, who had released several of Johnny Adams' albums with Washington, offered the guitarist a deal, and he released three albums for the respected roots music label, 1986's Wolf Tracks, 1988's Out of the Dark, and 1991's Wolf at the Door…

The Complete Motown Singles has been a dream project of Motown and soul fanatics for many years, ever since the first decade of Stax/Volt singles was compiled in an impressive nine-disc box set in 1991. Prior to that, no soul label had its output as thoroughly documented as that set – there had been the Atlantic R&B box, which collected highlights, but it never attempted to capture the label's entire run – and while The Complete Stax-Volt Singles 1959-1968 missed a B-side or two, it was an exceptional piece of music history, and pretty damn entertaining to boot.

Over the course of their extraordinarily accomplished discography to date, Django Django have constantly headed left where others have gone right. Described by The Guardian as “capable of making music that sounds close to perfection”, they are known for their genre defying eclectic sound and their new album Glowing in the Dark heralds, once again, the beginning of a thrilling new era for the band.

Scoring an unexpected novelty hit with the title track in 1956, Henry disappeared from the charts for four years before roaring back with two smashes in the early '60s, "(I Don't Know Why) But I Do" and "You Always Hurt the One You Love." Actually, Clarence recorded a fair number of singles for Chess' Argo subsidiary between 1956 and 1964 in the relaxed New Orleans R&B styles of his big hits. Ain't Got No Home includes 18 of these sides, most of which were previously unavailable on U.S. album. Henry developed slightly over the course of his career, adding beefier horn sections that occasionally reached back to the spirit of Dixieland. Crescent City legends like saxophonist Lee Allen and pianists Allen Toussaint and Paul Gayton crop up on these sessions; when Henry traveled to Memphis for a session, he was backed by the all-star band of Bill Justis (guitar), Boots Randolph (sax), and Floyd Cramer (piano). A bit more eccentric and unpredictable than Fats Domino, not as contemporary or inventive as, say, Lee Dorsey, Henry's vocals were consistently warm and humorous, his recordings always polished. That said, the hits remain the standouts on this collection. The rest is pleasant and fun, but don't vary much from the prototype or cause exceptional interest.

Die ultimative Blues Kollektion vom Mississippi bis in die Metropolen. In dieser Box befinden sich die Aufnahmen von 100 legendaren Bines Grossen. Die Stile, die Ausstrahlung, die Geschichten und naturlich die geniale Ausubung ihrer Kunst machten sie einzigartig und beeinflussten Generationen nachfolgender Kunstler. Die altesten Mitglieder wurden Ende des 19ten Jahrhunderts geboren, die jungsten unter ihnen spielen noch heute live in ausverkauften Hausern. Die Musik in dieser Box wird Sie befliueln oder erden, zum Tanzen oder Weinen bewegen. Egal oh Zweisamkeit oder in einsamen Stunden: eines ist sicher: Der Blues lebt weiter!