The Grateful Dead's second live release was an eponymously titled double LP whose cover bears the striking skull-and-roses visual motif that would become instantly recognizable and an indelibly linked trademark of the band. As opposed to their debut concert recording, Live/Dead (1969), this hour and ten minutes concentrates on newer material, which consisted of shorter self-contained originals and covers. Coming off of the quantum-leap success of the studio country-rock efforts Workingman's Dead (1969) and American Beauty, Grateful Dead offers up a pair of new Jerry Garcia/Robert Hunter compositions – "Bertha" and "Wharf Rat" – both of which garnered a permanent place within the band's live catalog.
This nine-disc box set gathers music from a trio of consecutive Grateful Dead gigs – November 9 – 11, 1973 at their hometown hockey rink Winterland Arena. At the time the band consisted of Jerry Garcia (lead guitar/vocals), Donna Jean Godchaux (vocals), Keith Godchaux (keyboards), Bill Kreutzmann (drums), Phil Lesh (electric bass/vocals), and Bob Weir (rhythm guitar/vocals). In 1973, they atypically played a mere handful of gigs in San Francisco. According to Dennis McNally's liner notes, the run represented within could be considered over half of their Bay Area appearances for the year. That shouldn't suggest that the combo weren't keeping a full calendar, as they played about every five days or so for a total of 72 live shows. As the overwhelming bounty of strong performances on 2008's Winterland 1973: The Complete Recordings substantiates, the combo were operating on all cylinders and – when applicable – at full velocity.