Deutsche Grammophon presents a complete survey of Sir John Eliot Gardiner's recordings for Achiv Produktion and DG. Orchestras & Choirs: Monteverdi Choir, the English Baroque Soloists, the Orchestre Revolutionnaire et Romantic, the Wiener Philharmoniker, NDR-Chor, NDR Sinfonieorchester, and the London Symphony Orchestra. Soloists include: Anne Sofie von Otter, Ian Bostridge, Barbara Bonney, Emma Kirkby, Mark Padmore, Bernarda Fink, Magdalena Kozena, Bryn Terfel, and many more.
In celebration of Carlos Kleiber's 80th anniversary, here, for the first time ever, is a unique, limited-edition 12-CD box-set of his complete Deutsche Grammophon recordings: each one a classic — presented in top audio quality.
The Italian conductor Claudio Abbado is one of the most outstanding conductors of the 20th century. It was his unique ability to make sound and music shine (Deutschlandfunk Kultur), for which he was celebrated internationally by both the press and the audience. In addition to his long-standing relationship with the Berliner Philharmoniker and the Vienna Philharmonic, he has also been chief conductor of the London Symphony Orchestra for many years (1979 to 1986), with which he has recorded a rich discography over the years.
Simply put, this set is a treasure that is also a bargain. Two masterful performances by Barshai and the outstanding Junge Deutsche Philharmonie (a youth orchestra playing like a world class orchestra), both performances among the best available versions of each work. Mahler's unfinished score for his Tenth symphony has been ably projected and realized in performing editions of (most commonly) Deryck Cooke, Joe Wheeler, Clinton Carpenter, Remo Mazzetti, and others. Performances of the Tenth are now commonplace, and there are numerous recordings, many compelling.
Given the depth, range and quality of the Deutsche Grammophon catalogue, it’s hardly been difficult to put together another anthology of great recordings and great artists. The structure is as before – here are 53 original albums (including three double-sets), featuring the great names of Deutsche Grammophon’s recording history, presented, once more, in alphabetical order of artist. Claudio Abbado leads off with a complete Carmen and Krystian Zimerman rounds off with his memorable account of the Chopin Ballades.
Given the depth, range and quality of the Deutsche Grammophon catalogue, it’s hardly been difficult to put together another anthology of great recordings and great artists. The structure is as before – here are 53 original albums (including three double-sets), featuring the great names of Deutsche Grammophon’s recording history, presented, once more, in alphabetical order of artist. Claudio Abbado leads off with a complete Carmen and Krystian Zimerman rounds off with his memorable account of the Chopin Ballades.
Deutsche Grammophon unites all of its Fricsay recordings into 2 volumes, of which this is the first. FERENC FRICSAY – Complete Recordings on Deutsche Grammophon Vol. 1 presents Fricsay's orchestral output in its entirety, covering symphonies, concertos, waltzes, overtures, ballets etc.
In anticipation of his 75th birthday in 2017, this luxurious 55-CD set presents Pollini's complete recordings on DG with their original covers, including the first ever release of Prokofiev's Third Piano Concerto with the NHK Symphony Orchestra under Maxim Shostakovich (recorded in 1974). Also included are a 200-page booklet and 3 bonus DVDs: concerto recordings with Böhm and Abbado as well as Bruno Monsaingeon's documentary film De main de maître (2015).
2018 Year 12 month 6 to celebrate the 120th anniversary "German gramophone".Since its founding in 1898 as a classical music label, it has produced recordings of many great classical artists, including fultwengler, Karajan and Bernstein. This album is selected by Mr. Ryuichi Sakamoto who has been in contact with classical music through the recording of German gramophone from an early age."Best of German gramophone・selected by Ryuichi Sakamoto" is released. From the 1950s monophonic recordings to the new post-classical composer Johann Johannsson's work, all 18 tracks were recorded on a 2-Disc disc.
The compact disc, as a sound carrier, was still on the horizon when Herbert von Karajan urged his record company to utilize the new digital technology in his recordings. Consequently Karajan's Magic Flute, recorded in 1980, became the first release of a Deutsche Grammophon digital production and was first released on LP. By the time the maestro died in 1989, the CD had finally replaced the LP as the primary sound carrier, yet he was realistic enough to know that the pioneering early stages of the digital era would be followed by further technical development. This is reflected in Karajan Gold.