Grizzly

For over 15 years, The Dodos have been careening, almost recklessly, towards some perfect ideal of how The Dodos should sound. First formed with the intention of creating a record that felt and sounded how the inside of a guitar might, the band have spent the intervening years sprinting towards that platonic ideal. The propulsion of that chase has always been palpable, even in the duo’s strangest, quietest moments — a gasping thrill conjured as if metallurgically from the interplay between virtuosically fingerpicked guitar and bracingly intricate drumming. Now, after so long, finally: Grizzly Peak. The eighth album by Meric Long and Logan Kroeber still plays as if in freefall, but things are different this time. Meditative and sometimes painful in its emotional excavation, over the course of ten anthemic, gorgeously-rendered tracks, Grizzly Peak reveals itself as that place Long and Kroeber were always desperately trying to find.

Canadian wildlife film-maker Jeff Turner returns to his roots and embarks on a beautiful and lyrical exploration of the wildlife around his home in the Cascade Mountains of southwestern British Columbia. Tracking the wildlife through the four seasons of one year, he encounters many animals from his childhood including black bears, a family of osprey, coyotes and mule deer. But the animal he most wants to find and film is one of the few remaining grizzly bears that still survive in these mountains.