Grosse Seen

Both conductor and soloist are well-known for their performances of the Beethoven Violin Concerto – just not with each other. The conjunction of Furtwängler and Schneiderhan is probably the least-well remembered of the conductor’s collaborations, either live or studio. Similarly the violinist’s commercial DG recording, conducted by Eugen Jochum, holds the most pressing claim on the collector, notwithstanding Furtwängler’s eminence or the fact that the disc under review was made live in the Titania-Palast in Berlin in May 1953.

Frank Martin's discography has expanded over the last few years. The most prominent of these new releases was the first ever complete recording of his opera Der Sturm which was issued last year by Hyperion. However, some of his most significant works have yet to make their way onto disc; one such is Pseaumes de Genève (1958). In that neglected vein we are now introduced to Le Conte de Cendrillon (Das Märchen vom Aschenbrödel).

Various Artists - A Guide to Musical Instruments, Vol. II: 1800-1950 (2013) {8CD Box Set Ricercar RIC104}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.18 Gb | MP3 @320 -> 1.40 Gb
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© 2013 Ricercar / Outhere Music | RIC104
Classical / Viennese School / Romantic / Early 20th Century Music

This second volume of the Guide to Musical Instruments explores the history of musical instruments in the period from 1800 to 1950. Its purpose is both to discuss improvements and transformations of instruments dating from before 1800 and to investigate all the novelties thought up by instrument makers during this era. All these developments took place in a context in which the process of instrument making moved from artisans’ workshops to commercial firms which became veritable factories, typical of the ‘age of industrialisation’. The majority of the musical examples are recordings of individual instruments that allow us to hear timbres often lost under the weight of the orchestral mass.This second volume of the Guide follows the same principles as the first.