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This volume offers a new interpretation of the genesis of the idea of scientific progress in early modern science and philosophy. The interpretation argues that the idea of scientific progress was not a historical category, but an epistemological one. The main thesis of the book posits that the idea of scientific progress was a methodological means of dealing with the contingency of nature. To illustrate the novelty of the idea, the individual chapters compare several features of Renaissance natural philosophy with a new regime of knowledge that included time as an inevitable factor of empirical research. The temporal regime of knowledge is illustrated by the work of Bernard de Fontenelle and his colleagues at the Académie des sciences in Paris at the end of the 17th century. The new interpretation remedies a gap in recent scholarship where the idea of scientific progress has been overlooked even though the early modern natural philosophers themselves used it to describe the nature of their research. The book places both well-known texts and less-studied documents in a new light, thus contributing to the lively and rich debate on the origins and nature of early modern science and philosophy. It is of interest to scholars studying the history of early modern philosophy and science.

The violinist and composer Pieter Van Maldere was once the most famous musicians in the Low Countries and can be considered among the most important creators of the classical symphony. He uses lively and original melodic language, idiomatic to the violin.

Illustrated with accurate artworks of aircraft, armored fighting vehicles, artillery and missiles, Aircraft, Tanks & Artillery of the Ukraine War is a detailed guide to all the weaponry currently being deployed in the War in Ukraine.

Over the course of the last two decades, of Montreal's creative force, Kevin Barnes, has been wowing fans with their vast catalog of endlessly fascinating pop and mesmerizing live shows. Barnes' songwriting and production aesthetic has since become iconic in the industry and has garnered massive critical acclaim. On of Montreal's latest album, 'Lady on the Cusp', Barnes shapeshifts between genres with each song. On tracks like 'Rude Girl on Rotation', Barnes revisits sounds of late '60s guitar pop and psychedelia reminiscent of 2013's 'Lousy With Sylvianbriar', while 'Young Hearts Bleed Free' and 'Music Hurts the Head' showcase Barnes' love of experimental funk pop that has been present throughout much of the band's discography.

Yuri Zhislin's upcoming album of music by Bartok is a celebration of musical universality. This collection, featuring Zhislin performing on both violin and viola, transcends boundaries, reflecting an unwavering commitment to sharing music across cultures. Recorded at Moscow's iconic Mosfilm Studios in June 2021, the album captures a moment of artistic unity before unforeseen global events unfolded.

AAM releases the final volume of an acclaimed project to record Mozart’s complete works for keyboard and orchestra. Fittingly, this final instalment includes three works that in various ways are valedictory: K595 is Mozart’s last completed keyboard concert, while K503 is the last concerto of his Viennese years. Louise Alder joins AAM and Robert Levin in an aria for solo soprano, solo keyboard and orchestra; Ch’io mi scordi di te? is a farewell to one of Mozart’s favourite singers, Nancy Storace.