Three leading soloists celebrate Nature in the Romantic era. Flautist Juliette Hurel and pianist Hélène Couvert, currently celebrating thirty years of musical partnership, are joined for this recording by cellist Emmanuelle Bertrand, who was voted ‘Instrumental Soloist of the Year’ at the French Music Awards 2022. They present a recital that enables us to meet the miller’s apprentice imagining his impending death surrounded by the flowers given him by his lost love (in transcriptions of Schubert’s Die schöne Müllerin ) and the water nymph Undine, who seeks to gain a human soul (in Reinecke’s Undine Sonata ).
Regular duet and two-piano partners, Hélène Mercier and Louis Lortie have returned to the studio for this all-Debussy programme. The album features duets written by the composer himself – such as the Petite Suite, the Six Épigraphes antiques, and the Marche écossaise sur un thème populaire, as well as a number of arrangements of his solo piano pieces (the Première Arabesque, La Fille aux cheveux de lin, and the Ballade slave). The album ends with André Caplet’s monumental arrangement of Debussy’s best-known orchestral work, La Mer. Stripping the work of its orchestral colours, this two-piano version allows the listener to appreciate more easily Debussy’s ground-breaking harmonic innovation. The album was recorded in the concert hall at Snape Maltings, in Suffolk, using a pair of Bösendorfer 280 VC grand pianos.
Juliette Hurel's 2013 album on Naïve explores pieces for flute and piano by Ludwig van Beethoven and Franz Schubert, evoking the period between Classicism and early Romanticism. Perhaps the subtlest work of the program is Beethoven's Flute Sonata in B flat major, WoO A4, written in 1790 and fashioned under the influence of Haydn. Its sunny disposition and light textures are periodically interrupted by unexpected key changes and sudden digressions into the minor, characteristics that anticipate Beethoven's later development and mark it as a transitional work. His Serenade for flute and piano, Op. 41, is an arrangement of the Serenade for flute, violin, and viola, Op. 25, and it has a similar, if sometimes deceptive, air of Classical simplicity, which is all the more apparent because of the brevity of the movements. Only Schubert's Variations on a Theme from Die schöne Müllerin is unequivocally Romantic, and its sudden changes of mood and key make it the most fascinating piece on the disc.
The combination of recorder and organ in dialogue give us a rich tapestry of textures and moods from the playful to the sensual. With works by Johann Sebastian Bach, the result is an altogether inspiring concert of Baroque music full of life and energy!
As a one-of-a kind company, standing at the crossroads between musical, lyrical and theatrical worlds, Les Monts du Reuil specialises in the forgotten treasures of French opera. Here, it offers a distinctively rare program centred around the fables of La Fontaine, which unearthes two comic operas based on the works of the fabulist: Le Magnifique [The Magnificent] by André Grétry and L'Éclipse totale [The Total Eclipse] by Nicolas Dalayrac, which was reconstructed for the occasion, and recorded here for the first time. In their selection of the tastiest excerpts alternating from a small aria to a duet or a horse-racing brass fanfare, the musicians highlight the refinement, lightness and humor typically found in French lyrical art from this era.
Per Nørgård (b. 1932) is regarded by many as Denmark's greatest living composer, with some of his music being hard edged and difficult to approach. This music on this disc will not suit everyone, it is quite difficult to understand where the composer is going at times, and in the case of the "Plutonian Ode", which is for soprano and solo cello, I found little to like, perhaps it is because the first two sections are for recitation, but I found it just grates with me! This is not to say that there isn't anything to like here, on the contrary, the disc opens with his "Two Recitatives Op. 16" which sets texts by the Swedish poet, playwright and novelist, Pär Fabian Lagerkvist.