Together with photographer Mat Hennek, French star pianist Hélène Grimaud, comes up with a multimedia concert project at the Grand Hall of Hamburg's Elbphilharmonie. Grimaud's virtuous piano performance is accompanied by Hennek's highly praised photo series "Woodlands", which depicts genuine portraits of trees, Grimaud's piano recital includes works by romantic and impressionistic composers. They are connected by seven "Transitions", written exclusively for Grimaud by British composer and DJ Nitin Sawhney. The motives of Hennek's Woodlands series create an extraordinary visual backdrop, which in combination with Grimaud´s pianistic "impeccable clarity and articulation" (Hamburger Abendblatt) and the Elbphilharmonie's splendid acoustics grants a concert experience of a special kind.
Both Benjamin Britten and his teacher Frank Bridge at one point owned the Giussani viola played by Hélène Clément on this album, which features pieces the two composers wrote for the instrument. The most substantial work here, Britten’s Lachrymae, is a series of pensive variations on a theme by John Dowland and is performed evocatively by Clément. In the Elegy, also by Britten, the Giussani viola’s special eloquence is evident in its deep tonal resonance and vivid responsiveness to Clément’s pizzicatos. Mezzo-soprano Sarah Connolly’s stirring performance of Bridge’s Three Songs is another highlight, as is the vein of aching sadness Clément finds in another of Bridge’s works, There Is a Willow Grows Aslant a Brook.
Regular duet and two-piano partners, Hélène Mercier and Louis Lortie have returned to the studio for this all-Debussy programme. The album features duets written by the composer himself – such as the Petite Suite, the Six Épigraphes antiques, and the Marche écossaise sur un thème populaire, as well as a number of arrangements of his solo piano pieces (the Première Arabesque, La Fille aux cheveux de lin, and the Ballade slave). The album ends with André Caplet’s monumental arrangement of Debussy’s best-known orchestral work, La Mer. Stripping the work of its orchestral colours, this two-piano version allows the listener to appreciate more easily Debussy’s ground-breaking harmonic innovation. The album was recorded in the concert hall at Snape Maltings, in Suffolk, using a pair of Bösendorfer 280 VC grand pianos.
André-Ernest-Modeste Grétry’s three-act opera Guillaume Tell was first performed in 1791 at the Salle Favart of the Comédie-Italienne in Paris. The opera deals with the Swiss fight for freedom in the 14th century against the domination of the Habsburgs. The story of Wilhelm Tell is well-known.
For her latest studio album, Hélène travels to Salzburg where she creates a fascinating juxtaposition between the eternal W A Mozart and the Ukrainian composer Valentin Silvestrov (b 1937) Hélène has long had a passion for Silvestrov’s music, which some call post modernist or even neoclassical .."Like Arvo Pärt Silvestrov’s music is harmonic, which far from being a weakness, is an enlightenment in its own right and very powerful in its simplicity", says Hélène The composer’s own words hint at why this is for her so intriguing I do not write new music My music is a response to and an echo of what already exists".
The combination of recorder and organ in dialogue give us a rich tapestry of textures and moods from the playful to the sensual. With works by Johann Sebastian Bach, the result is an altogether inspiring concert of Baroque music full of life and energy!
Pygmalion is, perhaps, Rameau's most consistently alluring ac/c de ballet whose overture, at least, was greatly admired in the composer's lifetime. There have been three earlier commercial recordings of which only the most recent, on Deutsche Harmonia Mundi, is currently available. Pygmalion was Rameau's second ac/c de ballet and it contains affecting and vigorous music in the composer's richest vein. The action takes place in Pygmalion's studio. Captivated by the appearance of the statue he has just completed, Pygmalion, legendary King of Cyprus, falls in love with it.