Hadyn Saloman String Quartet

The Danish String Quartet’s new album is a “retracing of musical pathways across the North Sea, a journey through the sounds of traditional music from Northern Europe, taking us from Denmark and Norway to the Faroe Islands, and to Ireland and England.” It follows on from Last Leaf, the Danish String Quartet’s much-loved 2017 release, which was Classical Album of the Year at NPR and a best of the year selection at publications from the New York Times to Gramophone. Keel Road underlines the group’s statement that “folk tunes are not just a part of our repertoire, but an important element of our identity as musicians.” Subtly integrated into the flow of the recording, alongside the traditional material, are original compositions by Rune Tonsgaard Sørensen and Fredrik Schøyen Sjölin, eloquently expressive in a folk idiom.

I first heard the late string quartets of Beethoven in my teens, on a budget price LP on the French Musidisc label. I don’t remember much about the performances; one movement that sticks in my mind is the slow movement of Op. 127, which was played at an expansive tempo, and took around twenty minutes. However I do remember the liner-notes, which were obviously translated by someone for whom English was not their first language.