Hammond B3x

Like several of Hammond's early albums, this 1968 effort would ultimately sound less impressive than it did at the time, simply because the original versions of the ten songs Hammond covered would become much more accessible. The material selected did testify to his good taste, but also stuck to the tried-and-true, including classics like "Dust My Broom," "Crosscut Saw," Sonny Boy Williamson's "Nine Below Zero" and "Don't Start Me Talking," and Howlin' Wolf's "How Many More Years." The title track, a slow Jimmy McCracklin piano tune, is about the least-familiar number on a program that's essentially revamped classic and still rather recent electric (and largely Chicago) blues classics with a very slightly more rock- and soul-oriented groove. Still, it's a lean and respectably hard-hitting electric blues set, comfortably integrating piano and (on occasion) Willie Bridges' saxes into the arrangements.

John Hammond's latest album marks a major departure in one respect – for the first time in anyone's memory, he sings, but plays nothing on one of his records, while Little Charlie & the Nightcats, led by guitarist Charlie Baty, handle the guitars and everything else. The difference is very subtle, the playing maybe a little less flashy than Hammond's already restrained work – think of how good Muddy Waters sounded on the early-'60s records where he sang and didn't play. And that comparison is an apt one – even more than 35 years after he started, Hammond inevitably ends up sounding like its 1961 and he's working at Chess studios in Chicago, cutting songs between Muddy Waters sessions. Harpist Rick Estrin also contributes a smooth and eminently enjoyable original amid a brace of covers of blues standards. There is not a weak number here, and this band is a kick to listen to, sounding more naturally authentic than anybody in the 1990's has a right to (Baty's quiet pyrotechnics on "Lookin' for Trouble" would make this record worth owning, even if Hammond's singing and the rest of the songs weren't as good as they are).

John Hammond has dealt with issues of authenticity and origin, both musical and personal, and moved beyond them. This 18-song session, recorded live in 1983 and recently reissued on CD, may have been his definitive session. It was certainly a masterpiece, with Hammond doing confident, thoroughly distinctive versions of signature Delta and Chicago blues classics by Robert Johnson, Muddy Waters, Willie Dixon, Son House and others. While "Dust My Broom," "Drop Down Mama," "Wang Dang Doodle" and all the rest have certainly been done to death, Hammond's spirited vocals, riveting guitar work on acoustic or bottleneck and his overall charismatic performances made them seem like fresh discoveries.

Albert Hammond has been writing hit songs for over fifty years. This is not to just to say that it has been fifty years since his first hit. This is to say that there has not been a single decade in which Albert has not written multiple hits songs since he scored his first hit with “Little Arrows” at the age of 24. His songs have been responsible for the sale of over 360 million records worldwide including over 30 chart-topping hits. Many of his most beloved songs, like “The Air That I Breathe” and “When I Need You,” have become hits multiple times with various artists, decade after decade.