The forthcoming David Bowie ‘era’ box set which covers most of the 1990s will be released in late November. Brilliant Adventures will be an 11CD box set or a 18LP vinyl box.
Alleingang (Going it Alone), Markus Becker’s second solo album is released by BERTHOLD records on October 29th 2021. In his own inimitable style, the renowned concert pianist has created a jazz and classical music mosaic. In his first solo album Freistil (Free Style) he developed structures out of largely spontaneous improvisations. “In Alleingang,” explains Becker “I most often thought out structures and themes first, and then created the music live in the Sendesaal, Radio Bremen’s concert hall, where as always they did such a great job. That suits my own ‘Alleinstellungsmerkmal’ which is a lovely German word for ‘unique selling point’.”
Following years of buildup and a whopping eight singles, Ava Max finally delivered her first official studio full-length, Heaven & Hell. Well worth the extended promotion, the album is a masterful pop debut, one of those might-as-well-be-a greatest-hits collections like Lady Gaga's The Fame, Dua Lipa's self-titled LP, or Katy Perry's One of the Boys. Indeed, Max is a kindred spirit with those hitmakers, both in vocal delivery and her knack for picking out an effective earworm, of which there is an embarrassing abundance on Heaven & Hell. Thematically divided into those two titular sides, the album takes that well-worn dichotomy and splits the track list between energetic bops and moodier – but no less catchy – doses of dark pop, all bound together by primary producer Cirkut (Marina, Katy Perry, Kim Petras).
rummer, producer & beat scientist Makaya McCraven digs into the Blue Note vaults with this new remix project that puts a modern bounce on jazz classics by Art Blakey, Horace Silver, Hank Mobley, Kenny Burrell, Kenny Dorham & more. McCraven’s mastery of the loop is akin to hip-hop’s most celebrated beatmakers like J Dilla & Madlib, both of whom have also remixed Blue Note classics, but McCraven’s unique approach also incorporates newly recorded elements including his own drums, Joel Ross’ vibraphone, Jeff Parker’s guitar, Marquis Hill’s trumpet & more.
When the Cecil Taylor quintet was ready to play at the Tampere Jazz Happening on October 30, 1998, all the musical world knew the virulent compactness of Taylor’s groups, especially after the American pianist had established an on-going link with Berlin and the European public. That day in Tampere, a superlative performance of free improvisation (Harri Sjöström on soprano sax, Tristan Honsinger on cello, Paul Lovens on drums and Teppo Hauta-aho on double bass) was able to represent Taylor’s enormous creative potential. It is a concert discovered in the archives of Finnish Radio YLE, never documented on a recording medium, which allows us to enter that absolutely unique world of Taylor’s groups: art and sound density, expressive universes that leave you speechless even after their conclusion.
A socially conscious musical citizen of the world, Reza Khan has a history of blazing fresh trails and finding unique ways to redefine what is possible in contemporary jazz. Helping us navigate our way through the darkness and steep challenges of the past year, Khan graces us with an empowering way forward along a fascinating Imaginary Road. Khan writes, “There are moments where I was naturally drawn between Indian and Spanish styles which make the project even more interesting. As I am taking this Imaginary Road, embarking on a journey, life is still quite exploratory and full of experiments.”