Welcome to the World is the second and final Psycho Motel album, released in 1997. It features a different vocalist from the band's first album, 1995's State of Mind. In place of Hans Olav Solli is Andy Makin, whose "dark lyrics and distinctive vocal delivery" differentiate the album from its predecessor. It also features Scott Gorham of Thin Lizzy and Dave Murray of Iron Maiden as guest guitarists. In 2006, Welcome to the World was re-released with two bonus tracks. These tracks contain Solli from the first album on vocals, and were probably recorded just before he left the band in 1997.
State of Mind is the 1995 debut album from the British progressive rock band Psycho Motel, formed by Iron Maiden guitarist Adrian Smith. The album featured Hans-Olav Solli on vocals, formerly of Scott Gorham's 21 Guns. The album features a heavy guitar-driven sound. The album was released only in Japan in 1995 and re-released in Europe in 1996. The European release had only 10 tracks and different artwork, which featured a negative image of the Japanese version cover. The album was re-released again in 2006, with the European version of the artwork. The band was formed in 1995 by Iron Maiden guitarist Adrian Smith after he left Maiden in 1990. Smith briefly experimented with a project called ASAP (Adrian Smith and Project) before seemingly retiring from the music industry altogether in 1990. However, it was a chance meeting with Jamie Stewart, formerly bass guitarist with The Cult and Carl Dufresne that finally persuaded Smith back into the spotlight.
Psycho Praxis are a near perfect sound mélange of British heavy prog and Italian progressive rock. Hailing from Brescia the band's debut album "Echoes from the Deep" doesn't sound like a new band trying to cash in on retro-prog, rather, it sounds like an authentic lost album from the early 70s with quality thrills and chills. Imagine the slightly creepy and unpredictable edge of Van der Graaf Generator mixed with the whirling, feverish flutes of Osanna, and the keyboard textures of Metamorfosi. The band employ English vocals rather than Italian, but even the hardest core RPI fan will surely forgive them because the music is so good.
Eddie Noack had a rough '50s, working hard and never scoring a hit, but that's nothing compared to his '60s. After he was dropped by Mercury, the singer wound up drifting to Allstar, a fly-by-night Nashville indie that specialized in "song poems" – suckers would send in lyrics and pro musicians would set them to music, for a fee – and found space for Noack, a songwriter who had success, but a singer who had none. At Allstar, he was usually able to record his own songs, but Noack wound up chasing trends instead of setting them. Specifically, he wound up cutting several singles in the style of Buck Owens & the Buckaroos, sides that may not have charted but illustrated Noack was a pro, capable of following shifting fashions and delivering upon them ably, even appealingly.
Varese's original soundtrack to Psycho finds Joel McNeely conducting the Royal Scottish National Orchestra through Bernard Herrmann's classic original score. This album is the first time the entire score has been recorded for an album and its remarkable how eerie and evocative the music is, even when its separated from the film. Psycho stands as one of Herrmann's finest moments, and even if many collectors and film buffs would prefer the original soundtrack recording, this version is essential for fans of the composer, since it is the clearest, cleanest edition of score yet produced.
Silva Screen Records present earlier composers who were masters of music on Hitchcock films, and later films with Bernard Herrmann on the second CD. The "CONCERTO FOR ORCHESTRA" is Miklos Rozsa's haunting theme which lasts over nine minutes is something from heaven. "STRANGERS ON THE TRAIN" the Dimitri Tiomkin contribution is also an outstanding track which can move the unmoveable with the heart-racing pounding sounds that the two composers generate. Both composers Rozsa and Tiomkin have a list of accomplishments a mile long, but to hear their music on a Hitchcock film is pure geneious in film making and scoring.
Psycho City is the sixth studio album by the American hard rock band Great White, released in 1992. It was the last studio album produced for Capitol Records, with the exception of the 1993 compilation The Best of Great White: 1986–1992.