The 200th anniversary of Haydn's death arrived in 2009, and this mammoth box boasts one CD for every year that's passed! Well, not quite, but only a composer as prolific as this Viennese-classical master could even come close: 150 CDs of symphonies, concertos, operas, chamber music, oratorios and more beautiful music that have challenged performers and inspired composers for centuries. You'll hear the symphonies performed by the Austro-Hungarian Haydn Orchestra; the piano and violin concertos played by L'Arte dell'Arco; the trumpet, horn and cello concertos played by the Academy of St.-Martin-in-the-Fields; the string quartets performed by the Buchberger Quartet; the lieder performed by Elly Ameling and Joerg Demus, and much, much more!
Adam Fischer was born into a family of conductors. His father Sándor Fischer conducted the Budapest Radio Orchestra. His brother Iván, and a cousin, György, are also conductors. The Fischers lived across the street from the Budapest Opera House, and he attended his first concert at the age of five. When Haydn's "Surprise" Symphony was played, he decided to be a conductor so he could make the audience jump. He made his conducting debut at the age of 7, leading an ensemble of children playing toy instruments and singing.
A 50-CD set of legendary recordings celebrating the world-renowned Decca Sound. Classic-status pioneering stereo recordings from the past 60 years and starring a galaxy of internationally-acclaimed artistic talent.
The Végh Quartet was not only one of the finest string quartets from mid-twentieth century Europe, but its style was never subjected to radical change over the years from personnel changes because the four original players remained members for 38 of the 40 years of the ensemble's existence. Its style evolved in subtle ways, of course, but its essential character endured until 1978: the quartet was Central European in its sound, with a bit more prominence given to the cello in order to build tonal qualities from the bottom upward. The Végh Quartet was best known for its cycles – two each – of the Beethoven and Bartók quartets. It also performed and recorded many of the Haydn quartets, as well as numerous other staples of the repertory by Mozart, Schumann, Brahms, and Debussy. For a group that disbanded in 1980, its recordings are still quite popular, with major efforts available in varied reissues from Music & Arts, Archipel, Naïve, and Orfeo.
Like the legendary pianists of the 19th and early 20th century, such as Sigismund Thalberg, Franz Liszt, Leopold Godowsky, and Ignace Jan Paderewski, it often sounds as if Marc-André Hamelin has more than 10 fingers. His ability to play fiendishly difficult music, make it sound as if it's a stroll in the park, yet imbue it with musical sensitivity makes him worthy of the description "super-virtuoso" by The New York Times' Harold Schoenberg. Hamelin studied at the Vincent d'Indy School of Music in Montréal with Yvonne Hubert, a pupil of Cortot, then received bachelor's and master's degrees at Temple University, working under Russell Sherman and Harvey Weeden.