Thomas Quasthoff’s great artistry needs no introduction. Here he follows up his much-raised Bach Cantatas recording with another project perfectly suited to his dark-hued, flexible voice. In anticipation of the forthcoming Haydn year – the 200th anniversary of the composer’s death falls in May 2009 – Quasthoff turns his attention to the Viennese master’s considerable operatic output, with an album of arias drawn from both Haydn’s comic and serious operas.
Gary Cooper is one of our foremost performers on the fortepiano, well-known for his wonderful series of Mozart Violin Sonata discs with Rachel Podger…
Haydn’s Missa in tempore belli (Mass in Time of War) ‒ a classical work for our times. Indeed, his faith was never of the bleak, incessantly penitential kind, but cheerful, reconciled and trusting, and it was in this spirit that he composed his sacred works, too. (Georg August Griesinger on Joseph Haydn, 1810).
Music patronage is something many musicians today look back to with deep nostalgia. The presence of rich, frequently aristocratic men and women who liked to spend a conspicuous part of their wealth on music, thus providing bread and opportunities to countless composers and performers, is regarded as a true blessing for art history and for those who lived it.