With a world-beating roster of exclusive opera singers including Luciano Pavarotti, Cecilia Bartoli, Renee Fleming and Joan Sutherland, Decca Classics has always invested infinite energy and enormous care on its productions, blending the greatest casts with experienced opera orchestras and great conductors. The result of this mix of world-beating artists, unrivalled technical skill and know-how is an opera catalogue of matchless artistry and superb sound, garlanded with award around the world.
George Martin and his son Giles began work on Love after getting permission from Paul McCartney, Ringo Starr, Yoko Ono, and Olivia Harrison (the latter two representing John Lennon and George Harrison, respectively). In discussing the project, Giles Martin noted that elements were utilized from recordings in The Beatles catalogue, "the original four tracks, eight tracks and two tracks and used this palette of sounds and music to create a soundbed."[1] George Martin also promised a prize to those who could crack a "code" found in the album. Giles Martin said in an interview that he was afraid they wouldn't get the green light to do the project, so he started by making digital back-ups of the original multi-track recordings just to get started on the project. He also said that he and his father mixed more music than was eventually released, including "She's Leaving Home" and a version of "Girl" that he was particularly fond of. Paul McCartney and Ringo Starr, the two surviving members of The Beatles, have responded very positively to the album. McCartney noted that "This album puts The Beatles back together again, because suddenly there's John and George with me and Ringo". Starr commended George and Giles Martin for the album and said that the album is "really powerful for me and I even heard things I'd forgotten we'd recorded."
Yuki Kajiura is a Japanese composer and music producer. She has provided the music for several popular anime series, such as the final Kimagure Orange Road movie.
Fun, furious, frantic, and utterly fantastic! The surreal world of Lewis Carroll’s Alice, both in Wonderland and Through the Looking Glass, is given an extra twist in Gerald Barry’s operatic treatment. At less than an hour for the whole opera, this short, sharp shot of mayhem is ideal as a family treat. Meet a kaleidoscope of colorful characters in this joyful, headlong rush into a world gone deliciously mad. This release is based on the original production of the same title, a co-production between Royal Opera House, Covent Garden, and Irish National Opera.
The world down under produced some of the most ferocious and provocative sounds to have emerged from the 1960s. Crammed full of fuzz, distortion, feedback, phasing, and wild dementia, this uncompromising sound was the precursor to punk rock. Buried Alive!! conjures up a superb collection of rampant amphetamine fury, jammed tight with the most vile and repulsive '60s delinquency ever put together. This six-disc anthology culls together 150 long lost sounds of toxic, teenage rebellion from Australasia. Professionally re-mastered original sound; includes previously unreleased recordings. Buried Alive!!