Heaven vc Andrews

The Andrews Sisters were an American close harmony singing group of the swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia, soprano Maxene Anglyn, and mezzo-soprano Patricia Marie "Patty". The sisters have sold an estimated 90 million records. Their 1941 hit "Boogie Woogie Bugle Boy" can be considered an early example of rhythm and blues or jump blues. Other songs closely associated with the Andrews Sisters include their first major hit, "Bei Mir Bist Du Schön (Means That You're Grand)" (1937), "Beer Barrel Polka (Roll Out the Barrel)" (1939), "Beat Me Daddy, Eight to the Bar" (1940), "Don't Sit Under the Apple Tree (With Anyone Else but Me)" (1942), and "Rum and Coca Cola" (1945), which helped introduce American audiences to calypso.

This album brings together orchestral music by two English composers who are also good friends – and both born in East Anglia: Nicholas Barton in Norfolk in 1950 and Christopher Wright in Suffolk in 1954. Moreover, they share a similar musical language: largely tonal, if loosely so, rhythmically alert, transparently but dramatically scored and with a natural feeling for symphonic argument and growth, and a powerful sense of scale.

This three-CD set is very attractive in some obvious ways – listing for barely $11.00 and containing 75 songs, it's the most generously programmed Andrews Sisters compilation that one can buy, even outstripping the Readers' Digest collection from the '90s…

Originally intended as an opera for television, Malcolm Arnold’s collaboration with film-maker and librettist Joe Mendoza, The Dancing Master, Op. 34, was considered too racy for viewers in the 1950s and subsequently rejected for broadcast and largely forgotten. Conductor John Andrews, with the BBC Concert Orchestra and a stellar cast, breathes new life into this operatic gem, here receiving its first recording. With its cast of larger-than life Restoration caricatures – the trapped heiress, the scheming maid, the over-protective guardian, and the handsome rake – the opera showcases Arnold’s taste for exuberant satire and tender Romanticism in equal measure.