Helmchen Bach Partitas

Martin Helmchen belongs to the category of great piano virtuosos who are also interested in early instruments: ‘One of the most thrilling moments of my life as a pianist was when I encountered the intact, original Spät & Schmahl tangent piano from 1790. My initial doubts about a pianist of today being able to master such an instrument rapidly gave way to the swelling conviction that here one could make certain things in Bach’s music sound in a way that is impossible on both the harpsichord and the modern piano.

Martin Helmchen belongs to the category of great piano virtuosos who are also interested in early instruments: ‘One of the most thrilling moments of my life as a pianist was when I encountered the intact, original Spät & Schmahl tangent piano from 1790. My initial doubts about a pianist of today being able to master such an instrument rapidly gave way to the swelling conviction that here one could make certain things in Bach’s music sound in a way that is impossible on both the harpsichord and the modern piano. Everything here subjugated me: the colours, the symbiosis of the characteristics of the harpsichord, clavichord and early piano, the buff stop, the opening up of polyphonic textures.