An excellent bop-based guitarist with a slight country twang to his sound, Herb Ellis became famous playing with the Oscar Peterson Trio during 1953-1958. Prior to that, he had attended North Texas State University and played with the Casa Loma Orchestra, Jimmy Dorsey (1945-1947), and the sadly under-recorded trio Soft Winds. While with Peterson, Ellis was on some Jazz at the Philharmonic tours and had a few opportunities to lead his own dates for Verve, including his personal favorite, Nothing But the Blues (1957). After leaving Peterson, Ellis toured a bit with Ella Fitzgerald; became a studio musician on the West Coast; made sessions with the Dukes of Dixieland, Stuff Smith, and Charlie Byrd; and in the 1970s became much more active in the jazz world…
Herb Ellis had previously recorded with fellow guitarists Charlie Byrd, Joe Pass and Freddie Green, but this early Concord album was his first meeting on records with Barney Kessel. It is of little surprise that the two complementary players (who had both been with the Oscar Peterson Trio at different times in the 1950s) work together quite well. With fine support from bassist Monty Budwig and drummer Jake Hanna, Kessel and Ellis (both generally easy to identify) swing their way through some mostly little-played standards, including "Early Autumn" and "Dearly Beloved," plus a few originals by the co-leaders. Fans of the bop guitar will want this sprightly collaboration.
Known for his mariachi-inspired easy listening sound, trumpeter Herb Alpert is one of the most successful instrumental performers in pop history. He is also one of the entertainment industry's canniest businessmen, having co-founded A&M Records – a label that ranks among the most prosperous artist-owned companies ever established – with partner Jerry Moss. Collection includes: The Lonely Bull (1962); South Of The Border (1964); Whipped Cream & Other Delights (1965); !!Going Places!! (1965); What Now My Love (1966); S.R.O (1966); The Beat Of The Brass (1968); Rise (1979); Fandango (1982); Bullish (1984); Keep Your Eye On Me (1987); Classics, Volume 1 (1987); Steppin' Out (Featuring Lani Hall) (2013); In The Mood (2014); Come Fly With Me (2015).
Herb Geller was a west-coast alto saxophone player that later settled down in Germany. But in the fifties he was all American and also had a professional relationship with his piano playing wife, Lorraine. It must have been the post bebop eras first husband-wife quartet with the solid Red Mitchell on bass and the young aspiring Mel Lewis on drums.
Over three days in 1955 they recorded this splendid album consisting of 12 sizzling tracks - amongst these five original tunes by Herb himself. The quartet plays together with ease, relaxation and dedication. Naturally with a focus on Herbs sax but Lorraine and Red also takes the solo space from time to time. Halfway through the album Lorraine Geller has a thoughtful piano solo piece that differs a lot from the rest album…
This four CD collection however represents the first phase of Ellis's solo career when he acted as leader or co-leader through an era which is generally considered the great man's glory years. Featuring eight stunning and extraordinary albums released originally between the mid-1950s and mid 1960s, this compilation provides both a perfect starting point for newcomers and a welcome reminder of Herb Ellis's musical prowess and creative flow for everyone else.
How much shit can one take? Well that depends. If it is being served by the quirky Polish trio 100nka—featuring guitarist Tomek Leś, bassist Adam Stodolski and percussionist Przemek Borowiecki—there may not be quite enough. Their music is rather undefinable, jumping and sneaking as it does into odd nooks and crannies…
Featuring Herb Robertson on trumpets, mutes & compositions, Frank Gratkowski on alto sax & clarinets, Julien Petit on tenor & bari saxes, Marcin Oles on double bass and Bartlomiej Brat Oles on drums. It is always great to hear the ever-inspired Oles brothers playing with the cream of improvisers like David Murray, Ken Vandermark, Chris Speed and Erik Friedlander…