Herbert Jüttemann

Herbert von Karajan (German: [ˈhɛɐbɛɐt fɔn ˈkaraˌjan]; born Heribert Ritter von Karajan; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 35 years. Generally regarded as one of the greatest conductors of the 20th century, he was a dominant figure in European classical music from the mid-1950s until his death. /quote]

Although his first four solo albums were commercial disappointments, 1984's 4630 Bochum turned Herbert Grönemeyer into the biggest musician in Germany. Featuring a blue-collar, stadium rock sound and highly literate lyrics – including double entendres, puns, and other creative word play – 4630 Bochum became the best-selling German album of all time, a record it held until Grönemeyer's Mensch beat it two decades later.

Acknowledged to be the finest Karajan recording of this overwhelming sacred masterpiece - "electrifying … with the Italian chorus and orchestra singing and playing their hearts out … a historic document" (Gramophone). This 1967 performance features four of the 20th century's greatest Verdi singers - Price, Cossotto and Ghiaurov were at the peak of their careers, while the young Pavarotti was still comparatively unknown (though not for long).

Recorded live in St. Peter's Basilica in Rome on June 29, 1985 at High Mass celebrated by Pope John Paul II, Herbert von Karajan conducts the Vienna Philharmonic for Wolfgang Amadeus Mozart's Coronation Mass. The performance features Agnes Baltsa, Trudeliese Schmidt, Gösta Winbergh, Ferruccio Furlanetto and Wiener Singverein.

Herbert von Karajan conducted Brahms's choral masterpiece frequently throughout his long career, but only once on film and with both of these outstanding soloists. This unique document from the 1978 Salzburg Easter Festival was acclaimed by Diapason as "a magical interpretation, prodigiously realized … with a sublime fusion of timbres, a cohesion and, ultimately, a simplicity that are truly unequalled."

Karajan could be so expressive, with the big sound of the Berlin Philharmonic, in Vivaldi's very famous Magnum Opus. Solo violinist Michel Schwalbe is also terrific, quiet and bold alternately, as needed.

In light of the "chill-out" trend of the 1990s, major labels released many albums of slow, meditative pieces to appeal to listeners who wanted relaxing or reflective background music. Deutsche Grammophon's vaults are full of exceptional recordings of classical orchestral music, and the performances by Herbert von Karajan and the Berlin Philharmonic are prominent in the label's catalog. The slow selections on Karajan: Adagio are in most cases drawn from larger compositions, though these movements are frequently anthologized as if they were free-standing works. Indeed, many have come to think of the Adagietto from Gustav Mahler's Symphony No. 5 as a separate piece in its own right, largely because of its evocative use in the film Death in Venice. Furthermore, the famous Canon by Johann Pachelbel is seldom played with its original companion piece, the Gigue in D major, let alone in its original version for three violins and continuo; it most often appears in an arrangement for strings.

John Cage: Early Piano Music comes from Herbert Henck, an experienced hand with the work of Cage, having previously recorded Music for Piano, Music of Changes, and Sonatas and Interludes in addition to a mighty swath of first-tier twentieth-century literature for piano for various labels, most notably Wergo and ECM New Series. These are early works for standard, not prepared, piano, and some of these pieces will be as familiar to dyed-in-the-wool Cageans as "Happy Birthday." This puts the pressure on Henck to excel, and he does so spectacularly well here. The disc includes the two sets entitled Two Pieces for Piano, the piano version of The Seasons, Metamorphosis, In a Landscape, Ophelia, and the fragmentary Quest. The pieces date from 1935 to 1948, the same range covered by pianist Jeanne Kirstein in her pioneering 1967 survey of Cage's piano music for CBS Masterworks.