Herbert Jüttemann

Conductor Herbert Blomstedt is a member of the top rank of modern conductors, having held long-term music directorships in both Europe and the U.S. Specializing in Romantic and early 20th century repertory, he has recorded a substantial body of work and has remained active into great old age. Blomstedt was born on July 11, 1927, in Springfield, Massachusetts, but his parents were Swedish, and they returned to their home country when Blomstedt was four. He grew up partly in Finland. His mother gave him piano lessons, and he took courses at the Royal College of Music in Stockholm while pursuing a general degree at the University of Uppsala. Drawn to conducting, he traveled to Paris for lessons with Igor Markevitch. This phase of Blomstedt's education laid the groundwork for his later versatility as a conductor as he studied contemporary music in the fertile city of Darmstadt in 1949, took pioneering classes in Baroque music with Paul Sacher at the Schola Cantorum Basiliensis in Switzerland, and took lessons at the Juilliard School in New York with Jean Morel, and with Leonard Bernstein at the Tanglewood Festival in Massachusetts. Blomstedt's career was launched as he won the Koussevitsky Conducting Prize in 1953 and the Salzburg Conducting Competition in 1955.

Herbert Schuch’s credo is not only to make music sound, but also to make it speak. With his strikingly conceived solo programmes and recordings of the highest artistic standard, he creates a conversation between composers, the podium, and the audience.

Arnold Schoenberg is best known as an atonal modernist, but before he made the 12-tone Faustian bargain, he was a Viennese late romantic.

Arnold Schoenberg is best known as an atonal modernist, but before he made the 12-tone Faustian bargain, he was a Viennese late romantic.

Herbert Schuch’s credo is not only to make music sound, but also to make it speak. With his strikingly conceived solo programmes and recordings of the highest artistic standard, he creates a conversation between composers, the podium, and the audience.

Even though I probably don't need anymore Vivaldi CDs, I couldn't pass up getting this title in the Amazon Marketplace for a penny plus shipping.

Matthew has written the music for a new documentary film The Cave from Oscar nominated director Feras Fayyad (Last Men in Aleppo): For besieged civilians, hope and safety lie underground inside the subterranean hospital known as the Cave, where pediatrician and managing physician Dr. Amani Ballour and her colleagues Samaher and Dr. Alaa have claimed their right to work as equals alongside their male counterparts, doing their jobs in a way that would be unthinkable in the oppressively patriarchal culture that exists above. Following the women as they contend with daily bombardments, chronic supply shortages and the ever-present threat of chemical attacks, The Cave paints a stirring portrait of courage, resilience and female solidarity.

NHK Legend Series 7 Karayan & Berlin Fill, 1966, SACD Hybrid, 2nd Edition! Released in June 2019, Kalayan & Berlin Phil 1966 Live as a big topic The SACD Hybrid model has been remastered to meet the many requests for SACD modification. Music fans of Japan cities waiting for Karayan and Berlin Phil are becoming more and more realistic. Karayan & Berlin Fill: "Life of Heroes" adorned the last Tour of 1966.

Lost Elysium ist das neue Album des bekannten Südtiroler Quartetts HERBERT PIXNER PROJEKT. Seit vielen Jahren ist der nimmermüde Musiker für seine ausgelassenen, innovativen Songs bekannt. Moderne, zeitgenössische Alpen-Volksmusik trifft auf Jazz, Flamenco, Blues und Tango. Erscheint als CD, Doppel-LP (+CD) und limitierter CD-Version (+ Bonussong, Poster, 3-D Cover) auf GECO TONWAREN. Ausverkaufte Konzerte, Auftritte in Rundfunk und Fernsehen, Neoklassische- Alpen-Weltmusik vom Feinsten: HERBERT PIXNER begeistert schon seit vielen Jahren ein breites Publikum.