Herbie Hancock Inventions And Dimensions

Herbie Hancock - Inventions & Dimensions (1964/2014) [Official Digital Download 24bit/192kHz]

Herbie Hancock - Inventions & Dimensions (1964/2014)
FLAC (tracks) 24 bit/192 kHz | Time - 36:59 minutes | 1,48 GB
FLAC (tracks) 24 bit/96 kHz | Time - 36:59 minutes | 841 MB
Studio Master, Official Digital Download | Artwork: Front cover

Herbie Hancock was only 23 when he recorded the amazing "Inventions & Dimensions", his third Blue Note album. Although Hancock had already recorded "Takin' Off" and "My Point Of View", he had quickly developed his own innovative style, and was about to become a member of the Miles Davis Quintet. "Inventions and Dimensions" is unlike anything he had previously created.
Herbie Hancock - Empyrean Isles (1964/2013) [Official Digital Download 24bit/192kHz]

Herbie Hancock - Empyrean Isles (1964/2013)
FLAC (tracks) 24 bit/192 kHz | Time - 35:17 minutes | 1,43 GB
FLAC (tracks) 24 bit/96 kHz | Time - 35:17 minutes | 752 MB
Studio Master, Official Digital Download | Artwork: Front cover

"Empyrean Isles" is Herbie Hancock's fourth album. It debuted two of his most popular compositions, "One Finger Snap" and "Cantaloupe Island". Hancock pushes the boundaries of hard bop on this album, playing with elements of soul, post-modal jazz, traditional bop, and experimental jazz.

Herbie Hancock - Inventions & Dimensions (1963) {Blue Note}  Music

Posted by tiburon at April 21, 2020
Herbie Hancock - Inventions & Dimensions (1963) {Blue Note}

Herbie Hancock - Inventions & Dimensions (1963) {Blue Note}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 320MB + 5% Recovery
MP3 CBR 320 Kbps | 125MB + 5% Recovery
Genre: Jazz, Hard-Bop, Post-Bop

For his third album, Inventions and Dimensions, Herbie Hancock changed course dramatically. Instead of recording another multifaceted album like My Point of View, he explored a Latin-inflected variation of post-bop with a small quartet. Hancock is the main harmonic focus of the music – his three colleagues are bassist Paul Chambers, drummer Willie Bobo, and percussionist Osvaldo "Chihuahua" Martinez, who plays conga and bongo. It is true that the music is rhythm-intensive, but that doesn't mean it's dance music. Hancock has created an improvisational atmosphere where the rhythms are fluid and the chords, harmonies, and melodies are unexpected.

Herbie Hancock - 5 Original Albums (2016) [5CDs] {Blue Note}  Music

Posted by tiburon at Jan. 13, 2021
Herbie Hancock - 5 Original Albums (2016) [5CDs] {Blue Note}

Herbie Hancock - 5 Original Albums (2016) [5CDs] {Blue Note}
EAC 1.5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 1.06GB + 5% Recovery
MP3 CBR 320 Kbps | 440MB + 5% Recovery
Genre: Jazz, Hard Bop, Post Bop

Hancock is one of the best known modern jazz composers, creator of “Watermelon Man” (which has been a reference point throughout his career), “Maiden Voyage”, “Dolphin Dance”, right through to the dance grooves of “Rockit”. Hancock also has the distinction of having made the largest-selling jazz record of all time in “Head Hunters”. The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve.

Herbie Hancock - Empyrean Isles (1964) [RVG Edition 1999]  Music

Posted by gribovar at Oct. 24, 2021
Herbie Hancock - Empyrean Isles (1964) [RVG Edition 1999]

Herbie Hancock - Empyrean Isles (1964) [RVG Edition 1999]
EAC Rip | FLAC (tracks+.cue+log) - 283 MB | Covers - 33 MB
Genre: Jazz, Hard Bop | RAR 3% Rec. | Label: Blue Note (7243 4 98796 2 1)

My Point of View and Inventions and Dimensions found Herbie Hancock exploring the fringes of hard bop, working with a big band and a Latin-flavored percussion section, respectively. On Empyrean Isles, he returns to hard bop, but the results are anything but conventional. Working with cornetist Freddie Hubbard, bassist Ron Carter, and drummer Tony Williams - a trio just as young and adventurous as he was - Hancock pushes at the borders of hard bop, finding a brilliantly evocative balance between traditional bop, soul-injected grooves, and experimental, post-modal jazz. Hancock's four original concepts are loosely based on the myths of the Empyrean Isles, and they are designed to push the limits of the band and of hard bop. Even "Cantaloupe Island," well-known for its funky piano riff, takes chances and doesn't just ride the groove…
Herbie Hancock - The Complete Blue Note Sixties Sessions (1961-69) [6CDs] {Blue Note}

Herbie Hancock - The Complete Blue Note Sixties Sessions (1961-69) [6CDs] {Blue Note}
EAC 0.95b4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 2.49GB + 5% Recovery
MP3 CBR 320 Kbps | 909MB + 5% Recovery
Genre: Jazz, Bop, Post-Bop

From the start of his solo recording career in 1962, when he was 22, Herbie Hancock was a very original pianist/composer. Strangely enough, despite the explorative nature of much of his music, Hancock was also quite accessible, recording the future hit "Watermelon Man" on his debut date. This six-CD set is a must for all jazz collectors who do not already own Hancock's Blue Note albums, for the box contains the complete contents of the pianist's albums Takin' Off, My Point of View, Inventions & Dimensions, Empyrean Isles, Maiden Voyage, Speak Like a Child, and The Prisoner.
Ahmad Jamal - The Complete Ahmad Jamal Trio Argo Sessions 1956-62 (2010/2018) [Official Digital Download]

Ahmad Jamal - The Complete Ahmad Jamal Trio Argo Sessions 1956-62 (2010/2018)
FLAC (tracks) 24-bit/44.1 kHz | Time - 567:46 minutes | 5,28 GB
Studio Master, Official Digital Download | Artwork: Front cover

"When I listen to these records now… when I listen to the Pershing, it's phenomenal, I must say. What they were doing, phenomenal, the lines and the purity. It's so pure … It was sheer joy working with these two individuals. Master musicians," writes pianist/bandleader Ahmad Jamal in the liner notes to this collection. If there ever was a subject worthy of a Mosaic box set, Jamal is it. For six decades, he has been, for several reasons, one of the most enduring and identifiable artists in jazz, or, as he prefers to describe it, "American classic music." First, there is his sound: a breathtaking amalgam of Erroll Garner's pithy touch, Nat "King" Cole's intricate horn-like, pre-bop lines, and Art Tatum's Mephistophelean technique.