Herman Wouk Don't Stop The Carnival

Sonny Rollins - The Montreal Concert 1982 (2009) {Gambit Records 69314}
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© 1982, 2009 Gambit Records | 69314
Jazz / Post Bop / Mainstream Jazz / Tenor Saxophone

This release presents A rarely heard performance at the 3rd Montreal Jazz Festival, one of his rare performances with star drummer Jack DeJohnette. The repertoire featured Rollins typical mix of standards, original tunes and the title track from Rollins soundtrack to the 1966 movie Alfie.

Sonny Rollins - The Complete Sonny Rollins RCA Victor Recordings (1997) {6CD RCA-BMG Music 09026-68675-2 rec 1962-1964}
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© 1962-64, 1997 RCA / Victor / BMG Music | 09026-68675-2
Jazz / Bop / Hard Bop / Saxophone

This six-CD set has all of tenor saxophonist Sonny Rollins' recordings for RCA, including the complete contents of The Bridge, What's New, Our Man In Jazz, Sonny Meets Hawk, Now's the Time, and The Standard Sonny Rollins, the three selections originally included in the sampler Three in Jazz, and 11 alternate takes only previously released on the French album Alternates. Less well-known than Rollins' earlier Prestige and Riverside records and slightly later Impulse albums, his output for RCA was recorded right after the great tenor came back from an extended sabbatical.

Herman Rarebell (born November 18, 1949 as Hermann Josef Erbel) is a German musician, best known as the drummer for the band Scorpions from 1977 to 1995, during which time he played on eight studio albums…

Supermax was a project of Austrian musician and producer, Kurt Hauenstein, best known for "Lovemachine", a 1977 German #4 single, that peaked at #6 in Switzerland, #9 in Austria and #96 in US. The first members of the band were Kurt Hauenstein (Mini Moog, vocals), Hans Ochs (guitar), Ken Taylor (bass guitar), Lothar Krell (keyboards), Peter Koch (percussion), Jürgen Zöller (drums) and the singers Cee Cee Cobb and Jean Graham. After Ken Taylor left the band in 1979, Kurt Hauenstein returned to his origin music instrument, the bass guitar. Later, Bernadet Onore Eben and Jessica Hauenstein, the daughter of Kurt Hauenstein, joined the group as backing vocal singers. In 1981, Supermax toured as the first mixed-race band through South Africa for 21 gigs.

Don't Stop The Music is the debut album released by Supermax, released in 1976. Supermax was a project of Austrian musician and producer, Kurt Hauenstein, best known for "Lovemachine", a 1977 German #4 single, that peaked at #6 in Switzerland, #9 in Austria and #96 in US. The first members of the band were Kurt Hauenstein (Mini Moog, vocals), Hans Ochs (guitar), Ken Taylor (bass guitar), Lothar Krell (keyboards), Peter Koch (percussion), Jürgen Zöller (drums) and the singers Cee Cee Cobb and Jean Graham. After Ken Taylor left the band in 1979, Kurt Hauenstein returned to his origin music instrument, the bass guitar.

This 1977 effort continues their hitmaking streak of one of fusion and R&B's durable and respected units. While this album's predecessor, Back to Back, was credited to the Brecker Brothers Band and featured members including David Sanborn and Steve Khan, it came off as underdone and facile. Don't Stop the Music does present their gifts in a more cogent fashion, but not without a few odd detours. The title track and "Finger Licking Good" are pure disco efforts, with pushy rhythms and ingratiating backing vocals. Although they are both a little silly, they have great horn riffs and boast a potent production. Despite those danceable offerings, Don't Stop the Music also features some of the brothers' most challenging work…