In the past, the pianist we had already shown he was an excellent musician through his numerous creations jazzy as artistic. Antoine Hervé confirms its strong character more likable and talented teacher with his "jazz lessons." What is hidden there behind the name a bit windy and a bit daunting? A lot of talent and a mischievous wink! Lesson Jazz Antoine Hervé addresses those who seek the key to address the work of a great jazz musician. What a boon that whomsoever also the dream of a warm-up on jazz in general! After his lesson on jazz Jobim and the second lesson dedicated to Wayne Shorter, one discovers the talent Hervé explain the ins as a piece of Wayne Shorter, to fill the appetite of enthusiasts insiders than deviate by example to dissect what a binary or ternary blues or funk to a wide audience.
Itinéraire amoureux sur un continent qui sera "l'avenir du monde."
L'histoire d'amour entre Hervé Bourges et le continent africain remonte à plusieurs décennies et son intensité n'a jamais faiblie au fil des années et des événements, heureux ou malheureux, qui l'ont jalonnée. Tout a démarré sous le soleil brûlant de l'Algérie où le jeune appelé du contingent Hervé Bourges est envoyé pour faire son service militaire. C'est la guerre. Préposé au théâtre aux armées, le jeune Hervé n'en prend pas moins partie pour la cause du peuple algérien qui lutte pour son indépendance. …
Frank Duval is a German composer, conductor, record producer, songwriter and singer. Born into an artists' family, he studied as an actor and dancer, but also sang with his sister, Maria. By the 1960s, Duval was also composing music, both orchestral and pop, and his first soundtrack, for an episode of the German serial Tatort, was broadcast in 1977. From his 1979 first album, Die Schönsten Melodien Aus Derrick und der Alte, the song "Todesengel" became a moderate hit.
The richness and splendour of French Baroque sacred music, by turns gravely sombre and spectacularly exuberant, have already been amply demonstrated by Hervé Niquet and Le Concert Spirituel through their series of recordings on Glossa of music by Marc-Antoine Charpentier. But it was not just in Paris or in the country’s religious foundations that such involved music-making was called upon, but also in cities such as Troyes and Châlons-sur-Marne where Pierre Bouteiller, maître de musique in cathedrals there during the reign of Louis XIV, composed his Missa pro defunctis, a beautiful setting scored for five voice parts with instrumental accompaniment.