Bay Area psych rockers Lumerians sharpen their sound somewhat on second full-length The High Frontier, peeling out of the gate with highly focused production and a palette of styles that turns on a dime from buzzing space rock to icy post-punk influences. Starting off with the fiery, distorted organ of "Dogon Genesis," the band sounds like a considerably more sober and less bleary-eyed Spacemen 3.
The Puppini Sisters' fifth studio album, The High Life, is the trio's first with Emma Smith joining original members Marcella Puppini and Kate Mullins. Aside from new membership, the vocal group stays the course, offering more of their close-knit, three-part harmonies on versions of big-band classics, a couple of original songs, and swing era-inspired rearrangements of more contemporary hits. The trio holds a few surprises in its selections of the latter, such as a medley of the Sugarhill Gang's "Rapper's Delight" and Sia's "Chandelier," and a fluid cover of Missy Elliott's "Work It." Their take on "Rapper's Delight" works especially well, riding the original's natural swing.
More quality dance floor material from Jaques Fred Petrus and Mauro Malavasi steeped in the quality tradition of 80s groove with flair, finesse, panache and SOUL. Here we have a real treat with early performances from young superstars in waiting Alyson Williams and the delicious, delicious Meli'sa Morgan. Helping them shine resplendently is Eric McClinton from one-time Motown outfit Eric & The Vikings. Not only do we have a good album here we have discerning liner notes from 'me old mucker', David Cole of In The Basement magazine. This man's devotion to quality music and his expansive knowledge are first rate and it is fitting to employ him for liner notes such as these.
Daniel Zamir is probably one of the most influencial and busy musicians in Israel. Zamir is a virtuoso sax player / composer of what could be defined as “Jewish Jazz”, fusing together elements of Jewish sounds and high quality jazz, together with ethnic and world music elements. Zamir’s albums are the most successful jazz albums ever to be recorded in Israel, with high acclaim from the media and critics and with tremendous sellings.